Fluid Audio FX80 Studiomonitor

259,00 €*

*Prices incl. VAT plus shipping costs

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Product number: FL-AUDIO-FX80

Product information "Fluid Audio FX80 Studiomonitor"

Fluid Audio FX80 Active Studio / Nearfield Monitor

The most striking feature of the FX series is the coaxially mounted tweeter, which is not - as is often found - a horn, but a dome tweeter. And the computer-calculated cabinet shape not only looks extremely cool, but also decisively optimizes the dispersion characteristics of the FX80.

In the center of the 8" woofer is a 1.2" silk dome tweeter. The unique design in this price segment creates a point source, - due to the principle without disturbing phase deviations or overlapping of the individual drivers. The frequency response of the FX80 ranges from 35 Hz to 22 kHz. In many (home) studios, space is rather limited, which can have an unfavorable effect on the acoustics. Therefore, the FX80 is equipped with EQ switches that allow you to control both the influence of rather acoustically difficult rooms and the resonances of a wall directly behind the speakers. On the back, users will already find important information about the function of the DIP switches, and the user manual describes their function in detail.

The FX80's "Class D" power amplifier always delivers a cleaner and constant output and sufficient headroom. The integrated high-performance DSP takes care of the digitally controlled crossover, resulting in exceedingly consistent sound reproduction. This makes the FX Series reference monitors the perfect solution for demanding home as well as professional recording studios. The diode on the front panel not only informs about the on/off/bypass status of the FX monitor, but also provides assistance in the precise alignment of the speakers at ear level.

High-quality drivers in a solid cabinet form the basis for transparent reference monitors, but only extensive listening tests and meticulous calibration of the crossover make this monitor a reliable workhor with absolutely precise low end - and thus a true Fluid Audio Box. A mix created on the FX80 will never disappoint on other audio systems.

Features

perfectly tuned nearfield monitor

coaxial design

low-noise 110 watt Class-D power amplifier

front bass reflex port

EQ for adjustment to the installation site

low frequency cutoff (flat, 60Hz, 80Hz, 100Hz)

detented volume control

compact design

auto-standby function saves energy

Technical Data

Cabinet: vinyl-coated MDF

Woofer: 8"

Tweeter: 1,2"

Power: 110W

Crossover frequency: 2.4 kHz

Frequency response: 35 Hz - 22 kHz

Maximum sound pressure level: 95 dB SPL

Signal-to-noise ratio: >89 dB (A-weighted)

Inputs: XLR and jack (balanced), RCA (unbalanced)

Input impedance XLR/jack: 20 kOhm

Input impedance RCA: 10 kOhm

Power supply: internal power supply, 110 V/220 V, switchable

Power indicator: LED (blue= active, red= standby)

Dimensions (WxDxH): 340 x 254 x 295 mm

Weight: 7,8 kg

Manufacturer "Fluid Audio"

Kevin Zuccaro, the founder of Fluid Audio, has a rich history in speaker design.

A loudspeaker engineer, musician, and recording enthusiast, he began his career at JBL in 1990. Cerwin-Vega and then moved to M-Audio where he played a very crucial role not only in Product Managing the category,

but developing their studio monitor line. Zuccaro was in charge of the entire monitor and microphone division

at Avid before he established Fluid Audio in 2010.

Experience designing transducers, hi-fi systems, and cinema projects earlier in his career gave him a

well-rounded approach to speaker design. Having a passion for music (making and appreciating it)

Zuccaro has always been one to believe that “technology and engineering should serve the Art”, meaning

that that the ultimate goal is a great listening experience - not using technology for technology’s sake.

This also dovetails with his general “less is more” approach and where cost can be saved, this only makes

Fluid products more accessible to the everyday musician (something he can relate to). Never one to subscribe to the “flat on-axis response uber-alles” credo, Zuccaro realized early on that while a flat response

is very important, just as important is getting the phase properly aligned between high frequency and low frequency in the crossover. This creates optimum imaging (the depth of field) and also minimizes coloration.

This is what makes speakers (and monitors specifically) compelling to listen to and more realistic to mix audio on. While there are always compromises in Engineering anything, Zuccaro stresses that making the “right compromises” is the key.

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