Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.



AKG adhesive mat


delivery time 14 days
JTS Jack adapter 3,5 mm jack female / 6,3 mm Jack male mono


delivery time 14 days
Neumann TLM49 Set diaphragm condenser microphone
large diaphragm condenser microphone with cardioid polar patternfrequency response: 20Hz-20kHz12dBA self noise129dB SPL (max)includes EA3 shock mount and cardboard boxColour: Nickel


delivery time 14 days
Austrian Audio OC707 Condenser Vocal Microphone
Austrian Audio OC707 condenser vocal microphone Directional characteristic: cardioid Frequency range: 35 Hz - 20 kHz Sensitivity: 10 mV / Pa Self-noise: 19 dB SPL (A) Sound pressure level limit: 150 dB Low cut filter: 120 Hz (2nd order) Impedance: 275 O (symmetrical) Load resistance:> 1 kO requires 48 V phantom power robust die-cast housing Including microphone holder and bag Dimensions: 194 x 53 x 53 mm Weight: 0.35kg


Immediately available or ready for collection
Sennheiser MEB 114 S B Boundary Table Microphone
Boundary microphone, cardioid, 3-pin mini-XLR-M, 24-48 V phantom power, TTL logic output, button with illuminated ring, blackAward winning designOptimized for speechConvenient usageSeamless integration via logic control**Microphone modes**Toggle on/offPush to mutePush to talkpermanent on (external LED control)Award winning designOptimized for speechConvenient usageSeamless integration via logic control**Microphone modes**Toggle on/offPush to mutePush to talkpermanently on (external LED control)Dimensions: 85 x 100 x 25mm (WxDxH)Connector: clip contact, trigger signal at the logic connector: Logic in (LED control), GND, Logic out (switch signal)Frequency response: 40Hz - 20kHzMax. sound pressure level: 140dBTransducer principle: pre-polarized condenser microphoneWeight: 291gPick up pattern: cardioidNominal impedance: 200OPhantom powering: P24 - P48Operating temperature: -10° … +50°CEquivalent noise level: 29 dB (A)Equivalent noise level weighted as per CCIR 468-3: 39 dB (CCIR)Current consumption: 5.3mAOutput voltage: High level output voltage > 2.4 V, low level output voltage: < 0.4 V


delivery time 14 days
Rode MiniFur-Lav for Lavalier (3 Pcs.)
Watch out tooSennheiser MKE1


Immediately available or ready for collection
Austrian Audio OC16 Studio Set
With the OC16, Austrian Audio introduces a brand-new microphone in the “Open Condenser” large-diaphragm series equipped with Open Acoustics technology.The transparent and natural sound of OC microphones, which has been highly praised by the press and users, is the result of the combination of the patented CKR capsule and the “Open Acoustics” design approach developed by Austrian Audio.Equipped with the handmade in Vienna CKR6 capsule, the OC16 is an extremely flexible all-rounder and can be used on a wide variety of instruments: From drums to electric and acoustic guitars, pianos, wind and string instruments to vocals.Directional characteristics: SingleImpedance: 275 OPolar pattern: CardioidLoad impedance: > 1 kOFrequency range: 20 Hz - 20 kHzSupply voltage: 48 V (< 2.2mA)Sensitivity: 11 mV/PaMain Connector: XLR 3 pinEquivalent noise level: 14 dB SPL (A)Max SPL: 148 dB SPLDimensions: 157 x 66 x 34 mmWeight: 335 gAnalog Low Cut filter: 40 Hz, 160 HzIncl. OCS6 microphone spider, 1x OCH8 microphone clip and 1x MSC6 transport case


Delivery time from 4 to 6 weeks!
Neumann WS81 Windscreen
Windscreen WS 81 Close range sounds, wind, and fast movements of the microphone boom, all may cause interfering noises.To avoid these unwanted sounds, windscreen accessories are available. Typically, they are made out of open-cell polyurethane foam. These windscreens do not cause interfering resonances and do not influence the directional pattern. Only in the upper frequency range is the output level slightly attenuated. The wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km/h, generated by a noiseless wind machine.Wind noise attenuation 15 dB. Attenuation at 15 kHz 2 dB.Diameter 50 mm, length 195 mm. Color black.


Immediately available or ready for collection
Sennheiser MZW441A windscreen for MD 441-U
Windscreen for Sennheiser MD 441-UColor: Anthracite


delivery time 14 days
Neumann KM 184 MT Stereo Set Condenser Microphone
Neumann KM184 MT Stereo Microphone Set 2 KM184 condenser small diaphragm microphones Pressure gradient receiver Successor to the KM 84 Directional characteristic: cardioid very even frequency response for all directions of sound incidence Transmission range: 20 - 20000 Hz Nominal impedance: 50 ohms Nominal load impedance: 1000 ohms max.output voltage: 2540 mV Weight: approx. 80 g Diameter: 22 mm Length: 107 mm Color: matt black Including 2x WNS 100 windscreen and 2x SG 21 tripod joints


delivery time 14 days
Shock mount for table installationsFlange diameter: 74 mmTotal length: 60 mmInstallation depth: 50 mmHole for installation: 51 mmColour: Black


delivery time 14 days
Rode SC2 TRS-Patch Cable for iPhone (3,5 mm)
Patch cable for connecting iPhone and digital single lens reflex camera (DSLR) Connections: mini jack stereo angled to mini jack stereo angled (2x TRS angled) Coiled cable Cable length variable from 17 - 40 cm Ergonomic jack connections High quality shielded Weight: 20 g


Immediately available or ready for collection
Sennheiser E 904 Dynamic Instrument microphone
Dynamic Tom MicrophoneEspecially for tom and snare recordingPolar pattern: cardioidFrequency range: 40 - 18,000 HzImpedance: 350 ORobust metal chassisIncl. special tom holderBag includedDimensions: 63 x 41 mmWeight: 125 g


Immediately available or ready for collection
Sennheiser EW-DX 835-S QR1-9 Band Vocal Set 470,2 - 550 MHz
Perfect for speakers and singersThis set consists of 2 microphones EW-DX SKM-S (hand microphone with mute function), 2 capsules MMD 835 (cardioid characteristic, dynamic), 1 rack mount receiver EW-DX EM2 (2 channels) and 2 batteries BA 70.FEATURES EW-DX EM 22-channel receiver, half rack width (9.5 in)Up to 88MHz switching bandwidthPoE IEEE 802.3af class 3Equidistant channel spacing: 146 channels in standard mode; 293 channels in link density modeNetwork-capable for control with the Sennheiser Control cockpit/media control system through a set of third-party modulesClear and easy-to-use user interface with OLED displayEthernet connection (IPv4 and IPv6)Secure AES-256 encryptionExternal power supply 12 V / 1 Aall-metal bodyFEATURES EW-DX SKM-S10 mW RF power with a working range of up toup to 100 m charging contacts for device-internal charging with CHG 70NPermanent E Ink Display - Parameters stay on the screen visible even when the device is not is switched onProgrammable mute button on EW-DX SKM-S adapt the device to your professional needsFunction Keys - Control of all transmitter settings directly via the hand microphoneExtended runtime with lithium-ion batteries - up to 12 hours operating timeStandard capsule interface - compatible with a wide range of Sennheiser and Neumann capsulesTrim function for the microphone inputmetal bodySCOPE OF DELIVERYStationary receiver EW-DX EM 22 hand-held transmitters EW-DX SKM-S2 microphone modules MMD 8352 microphone clamps MZQ 12 rod antennasPower pack with country adaptersRack mounting set GA 34 rubber feet2 battery packs BA 70quick start Guidesafety instructionsManufacturer's DeclarationTECHNICAL SPECIFICATIONSsystemAudio link frequency ranges: Q1-9 470.2 - 550 MHzBluetooth® Low Energy (BLE) frequency range 2402 - 2480 MHzAudio frequency response 20 Hz - 20 kHz (-3 dB)THD+N = -60dB for 1kHz, at -3dBFs input levelDynamic range 134 dBSystem latency 1.9 msOperating temperature range: -10°C - +55°C, (14°F - 131°F)Relative humidity 5 - 95% (non-condensing)EW-DX EM 2 (stationary receiver)Input voltage: 11 - 13 V or PoE IEEE 802.3af class 0 (CAT5e or higher)Input Current = 1ATransmission power BLE: max. 10 mW EIRPAudio output power 18 dBu max.Headphone output 2x 70 mW @ 32 OhmEthernet: RJ-45 socket, IEEE802.3, 100Base-TX (half+full duplex), 10Base-T (half+full duplex), (CAT5e or higher)Dimensions 212 x 44 x 189mmWeight approx. 1000 g (without antennas and power pack)EW-DX SKM (handheld transmitter)Input voltage 2.0 - 4.35 VInput current < 300mAPower supply: 2 AA batteries 1.5 V (alkaline manganese) or BA 70 battery packBandwidth 200kHztransmit powerAudio Link: 10mW ERP(Area Y1-3: 12mW ERP)LD mode: 10mW ERPBLE: max 10mW EIRPDimensions (ø x l)(with MMD 835 microphone module): 50 x 268 mm(without microphone module): 40 x 200 mmWeight (without batteries) (with MMD 835 microphone module): approx. 304 g(without microphone module): approx. 195 gMMD 835 (microphone module)Converter principle: dynamicSensitivity: 2.1mV/PaSound pressure level: 154 dB SPLPickup pattern: cardioid


delivery time 14 days
Rode DeadCat Furry Windshield for NTG-1, NTG-2, VideoMic, VideoMic-RY


Immediately available or ready for collection
Sennheiser EW-D ASA (Q-R-S) Active Antenna Splitter
Active Antenna Splitter for use with Evolution Wireless Digital systemsFrequency range: 470 - 694 MHzIncluded: 1x EW-D ASA Active Antenna Splitterscope of deliveryActive antenna splitter EW-D ASA (Dual 1:4)NT 12-35 CS power pack for EW-D ASA(8) BNC antenna connection cable


Immediately available or ready for collection
Shure DH5B/O-MTQG DuraPlex Omnidirectional Subminiature Headset Microphone
Lightweight and comfortable to wear, the DuraPlex DH5 headset microphone offers a neutral, full sound that will lift your performance, speech, musical, or broadcast. Rely on the DH5 headset microphone in the harshest environments, thanks to its long-lasting Shure Plex cable and a certified IP57 rating, which means you’re protected against water, sweat, moisture, dust, and dirt. Capture every moment with confidence.With an easy-to-wear headset frame, DuraPlex DH5 features a neutral, full sound quality that lives up to the highest audio standards on any stage or broadcast studio. Also available as a lavalier, DuraPlex has been extensively tested to ensure an IP57 dust-resistant, waterproof rating*. The exclusive 1.6 mm Shure Plex cable with DuraPlex won’t kink, offers virtually zero “memory effect,” is fully paintable, and simply lasts longer due to a dual redundant ground, which doubles as a secondary shield.In the theater, onstage, or on television, you can depend on the DuraPlex DH5 headset microphone for consistent professional sound, durability, and longevity.Features:> 5 mm omnidirectional subminiature design for discrete placement and improved gain-before-feedback > IP57 dust-resistant, waterproof rated > Neutral, full sound quality for film, broadcast, speech, theater, and performance applications > Advanced 1.6 mm Shure Plex cable: - Dual redundant ground in cable serves as secondary shield for unprecedented longevity - Immune to memory effect and kinks - Fully paintable with typical theater paints, pens, and polishes > Presence Cap included for tailored frequency response provides additional vocal clarity and presence (3-4 dB boost near 10 kHz) > Color: Black> Available in two connector types: TA4F (mTQG) and LEMO Kit includes the following accessories: Case, Foam Windscreen, Snap-fit Windscreen, Single Tie Clip, Sticky Mount, TQG Locking Collar (mTQG/TA4F SKUs only)


delivery time 14 days
AKG WMS40 MINI Sport Set ISM2 864.375 MHz
AKG WMS 40 Sport Set ISM2 864.375 MHzSet of pocket transmitter, receiver and headset microphone30 hours running time with only one AA batteryIncl. power supply and batteryAvailable in three frequencesPocket transmitter PT 40 MINIvery small and lightweigtControl for input sensitivityLow power consumptionReceiver SR 40 MINIRobust metal housingHigh audio and transmission qualityStatus LED´s for receiving, audioclipping and power On/Off Symmetric 6,3 mm jack outputOutput level adjustable on the receiverHeadset microphone COBTVery lightweighted, movable gooseneck, condenser microphone, omnidirectional, beigeTechnische DatenTrägerfrequenzbereich: 863 - 865 MHzModulationsart: FM / UHFKlirrfaktor: 0,8 %Signal/Rauschabsand: 110 dB (A)


delivery time 14 days
Sennheiser EM 300-500 G4 BW-Band diversity receiver 626 - 698 MHz
Frequency range: BW Band (626 - 698 MHz)88 MHz bandwidth20 Frequency banks with up to 32 presets for eachUp to 32 compatible channelsFast frequency allocation for up to 12 recipients via link function with RJ10 connectionFrequency response: 25 - 18,000 HzFrequency transmission over infra red interfacePilot toneAutotune to find free frequenciesIntegrated EQAudio gain over 60 dB rangeSoundcheck mode4-Digit battery indicator on the receiver2 BNC antenna connectorsXLR-Male balanced and jack unbalancedPower supply 10.5 - 16 V DC9.5" HousingIncl. GA 3 rackmount and power supply NT2


delivery time 14 days
Shure BLX14P31WirelessHeadset PGA31 analog S8 823 - 832 MHz
Shure UHF Wireless System BLX 14 / P31 from the PG Headset Seriesconsisting of:analog radio receiver (BLX4)BLX1 bodypack transmitterPGA31 Condenser Headset Microphonefeatures:Comfortable to wear, reliable entry-level headset for maximum freedom of movementElectret condenser capsule for detailed and clear soundCardioid condenser microphone protects against unwanted background noise for improved sound quality and more gain without feedbackFlexible design and discrete customization options optimize microphone positioning.Foam windscreen includedWindscreen suppresses explosive sounds, breath and wind noise for a clear and understandable soundOperating status and battery status LED displayAdjustable gainFast and easy frequency adjustmentUp to 14 hours of battery life with 2 AA batteries (included)Up to 100 meters rangeUp to 12 compatible systems per frequency bandMicroprocessor-controlled antenna diversityQuickScan finds the best free frequency at the push of a buttonTRS and XLR outputsTwo-color audio status LED


delivery time 14 days



Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.