Fluid Audio F4 Studiomonitor

Product information "Fluid Audio F4 Studiomonitor"

Fluid Audio F4 Studiomonitors (1 pair)

Are the ideal loudspeakers for small listening environments in the entry area , but also as alternative monitors they offer at best . The bass reflex port is on the back , which is why the F4 should always be placed with some distance to the wall. On the other hand, the F4 is the only model in its price class with external heat sink on the back. The F4 developes within the housing only moderate temperatures, so the amplifier does not get any thermal problems at loud listening and can work relaxed. The low-noise class AB amplifier in the left box supplies both speaker chassis with the necessary power . Moreover, it turns the power consumption to standby mode automatically if there is no input signal more than 10 minutes.

MDF cabinet

Inputs: jack , RCA

Front panel volume control

10 cm (4 ") woofer of highly compressed paper membrane

2.5 cm (1 ") tweeter with silk dome

Front panel auxiliary input

Front panel headphone output

Output current limiter

Overheating, transient and subsonic protection circuit

LED power indicator

Specifications:

Color: Black

Power (RMS / max . ) : 30/ 60 W

Frequency range: 69-22000 Hz

Sound pressure level: 97 dB

Dimensions: (W x H x D) 150 x 222 x 175 mm

Weight: 6.5 kg

Manufacturer "Fluid Audio"
Kevin Zuccaro, the founder of Fluid Audio, has a rich history in speaker design.
A loudspeaker engineer, musician, and recording enthusiast, he began his career at JBL in 1990. Cerwin-Vega and then moved to M-Audio where he played a very crucial role not only in Product Managing the category,
but developing their studio monitor line. Zuccaro was in charge of the entire monitor and microphone division
at Avid before he established Fluid Audio in 2010.
Experience designing transducers, hi-fi systems, and cinema projects earlier in his career gave him a
well-rounded approach to speaker design. Having a passion for music (making and appreciating it)
Zuccaro has always been one to believe that “technology and engineering should serve the Art”, meaning
that that the ultimate goal is a great listening experience - not using technology for technology’s sake.
This also dovetails with his general “less is more” approach and where cost can be saved, this only makes
Fluid products more accessible to the everyday musician (something he can relate to). Never one to subscribe to the “flat on-axis response uber-alles” credo, Zuccaro realized early on that while a flat response
is very important, just as important is getting the phase properly aligned between high frequency and low frequency in the crossover. This creates optimum imaging (the depth of field) and also minimizes coloration.
This is what makes speakers (and monitors specifically) compelling to listen to and more realistic to mix audio on. While there are always compromises in Engineering anything, Zuccaro stresses that making the “right compromises” is the key.

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