We offer a large selection of LED spotlights for inside and outside as well as moving heads, scanners, LED bars, trackers and lighting fixtures for the theater area
Handy and powerfulEquipped with 4 x 18 W HEX LEDs in red, green, blue, white, amber and UVWith integrated wireless receiver for WDMX operatingOperation via mains connection or built-in lithium-ion battery with up to 30 hours of operation (single color operation)Integrated automatic charging with charge indicatorAs well as via WLAN (APP for IOS and Android)With integrated kickstand, for angled InstallationDMX-controlled operation or stand alone operation with Master / Slave function6 or 10 DMX channels selectableFunctions: static colors, stepless RGBW color blend, internal programs, dimmer, strobe effect with adjustable speed, music controlDimmer speed (step response) adjustableAddressing via control panel with 4-digit LED displaySwitching power supply for power supply between 100 and 240 voltsReady for connection via enclosed power supply cable with safety plugThrough output allows to power up to 8 devicesDMX512 control via regular DMX controllerDimensions: 235 x 210 x 230 mmWeight: 3.2 kg
Flexible bar, compact and bright, equipped with 9 x 18 watt HEX LEDs RGBWA+UV (red, green, blue, white, amber and UV)
Beam angle: 30°
Color: 16.7 million color mixtures
Lux: 12000/1m
PWM frequency: 2000Hz, HD video flicker free
Automatic mode: color change, color strobe, color dimmer, color gradual change/color jump change
With integrated wireless receiver for WDMX and WiFi operation.
Operation via mains connection or built-in lithium-ion battery with up to 12 hours of operating time!
Part of the Encore stage lighting series, the Encore FR50Z lighting fixture is equipped with a 6-inch Fresnel lens and powered by a 50W LED engine. It produces a white wide, soft-edged beam for stage and theatre use at 3000K. It comes with barn doors to adjust the beam dispersion and a manual know to change the beam angle from 8 to 50 degrees.The Encore FR50Z has a 4-button LCD operational menu, 5-pin DMX In/Out and powerCON In/Out to daisy chain the power from one fixture to another. 50W LED engine6-inch Fresnel lensCRI 95 Color Temperature: 3000K Manual Zoom control: 8-50 degree4-button LCD menu 5-pin DMX In/out powerCON In/Out to daisy chain powerDimming 0-100% Robust extruded aluminum caseIncludes barn doorsMulti-voltage operation: AC 100-240V, 50/60HzDimensions (LxWxH): 11.5” x 9.5” x 9.5” / 288x237x237mmWeight: 10 lbs. / 4.2 kg.
LEE color filter Z813 ZirconLonger life filter for medium warm up correction of white LED with minus green tint.Example: 4000K LED to 2900K.Colour Temperature shift varies with type of LED.Sheet: 50 x 120 cm
The ADJ COB Cannon Wash DW ST is a shorter version of the popular COB Cannon Wash fixture. It uses advanced Warm White / Cool White COB (Chip On Board) technology allowing for a powerful LED engine to be placed in a small amount of space. The result is a high output, smooth color mixing LED Par with no WW/CW shadows. Designed for mobile or permanent wash lighting of stages, clubs, dance floors and churches. The COB LED engine on the COB Cannon Wash DW ST is a dual WW/CW 2-In-1). It also doubles as an uplight with its scissor yoke that act as legs to set the fixture upright to wash walls and ceilings.The COB Cannon Wash DW ST comes in a black casing and has massive 80-degree beam angle. Easily replaceable 40-degree and 50-degree lens are included so that the beam angle may be changed.It has 6 DMX Channel modes for programming flexibility, built-in color macros and 5 selectable Dim Curves. The fixture has many pro features such as: 0-100% electronic dimming, strobe/pulse effect, Flicker Free operation, 3-pin & 5-pin DMX and powerCon power daisy-chaining, and a 4-button DMX display. COB Cannon Wash DW ST may run in its stand-alone mode from built-in programs, sound actively or from a DMX controller.OPTICAL:Light Source: 1x 150-Watt COB (Chip on Board) Warm White/Cool White LED (2-IN-1) - rated at approximately 50,000 hrs.CRI: Over 90Light Output: 891 LUX @3M (CW + WW @ 40-degree beam), 711 LUX @3M (CW + WW @ 50-degree beam), 410 LUX @3M (CW + WW @ 80-degree beam)80-degree beam angleIncludes lens kit to change to 40-degrees or 50-degrees beam angleCONNECTIONS:3-pin & 5-pin connectors for DMX linkingpowerCon AC IN/OUT to daisy chain power (up to 5 fixtures)CONTROL:Variable white control: 3200K - 6400K6 DMX Channel modes (1, 2, 3, 4, 5, 6 Ch.)8 warm white / cool white built-in color macros4-button digital DMX display on rear panel Compatible with wireless remote control (sold separately)LED pulse and strobe effectElectronic Dimming: 0 - 100%5 selectable Dim Curves (Standard, Stage, TV, Architectural & Theatre)Refresh Rate:1KHzFEATURES:Flicker Free operation (No flickering on camera)Use as Wash/par or Pixel Mapped for a stunning visual effectScissor yoke allows fixture to be mounted on truss or set on the groundOptional Barn Doors (BAR001) sold separatelyRun all night – No duty cycleELECTRICAL:Auto sensing power supply: AC 100V/60Hz - 240V/50Hz Power Draw: 132W maxDaisy chain up to 5 fixtures maximumDIMENSIONS / WEIGHT:Dimensions (LxWxH): 13” x 10” x 7.5” / 330x256x190mm (with bracket); 8.75” x 7.5” x 7.5” / 218.5x190x190mm (without bracket)Weight: 9 lbs. / 4.1 kg.
The Vizi CMY300 is ADJ’s next generation LED Hybrid moving head. It uses a specially designed 300W LED engine that offers massive output for most large venues and event productions. It is a great hybrid utility fixture as it acts as a beam, spot and wash all-in-one with a massive zoom range from 8 to 48-degrees. This allows for designers to get maximum effects from one fixture without having to crowd truss in an installation with multiple fixtures. It also allows for less fixtures to be packed in a truck for production events. What’s more, is it comes in a smaller footprint than most other movers in its class. Plus, the Vizi 300 CMY offers a CMY color mixing so designers can custom make colors to create a one-of-a-kind lightshow.The Vizi CMY300 offers motorized focus, motorized zoom, two rotating prisms (one 6-facet linear & one 3-facet circular), 2 GOBO wheels (1 wheel fixed metal & one wheel rotating/replaceable GOBOs). There is a full color function display on the front panel, with the rear panel offering powerCON In/Out and 3-pin & 5-pin DMX connections. Under the hood, the Vizi CMY300 offers a modular design making servicing and GOBO replacement easier than ever before.Preliminary data only. More information coming soon.Light Source:300W Cool White LED Engine50,000 Hour Average LED LifeColor:Color Wheel: 9 + Open (Including: CTO 3200K & UV)Full CMY Color MixingGOBOs:GOBO Wheel 1: 8 Fixed + Open (1 Beam Reducers Beam Mode)GOBO Wheel 2: 6 Rotating/Replaceable + Open (Size: 26.8mm; Viewable: 20mm)Modular design for easy servicing and GOBO replacementEffects:Zoom Range: 8 ~ 48-degreesIris: Motorized 5-100%Focus: MotorizedFrost effectPrism 1: Rotating 3-facet Circular Prism 2: Rotating 6-facet Linear RotatingPrism Layering Connections:Power Input: powerCON Power Pass through: powerCON @120V or 220VUSB firmware update portControl:Control Channels: 21, 24 or 26DMX Modes: 3Control: 3-pin and 5-pin DMXFull color display menuPan / Tilt Correction: AutomaticPan / Tilt LockPan / Tilt Range: 540° / 270°Fine TiltPan/Tilt Speed: Fast to SlowDimming & Fine Dimming: ElectronicElectrical:Input Voltage: 100-240V 50Hz/60Hz (Auto Sensing)Daisy chain max: 4 fixtures (@120V); 8 fixtures (@230V)Power Draw: 398W (3.31A @ 120V; 1.8A @ 220V)Dimensions/Weight:Dimensions (LxWxH): 14.75” x 12.75” x 24.5” / 370 x 325 x 619mm Weight: 51 lbs. / 23 kg.
Profile Spotlights: The profile spotlight is used to project a clearly delimited illuminated area. The demarcation to the dark areas is precise and exact. There are profile spotlights with manual or automatic focus. Many models with automatic focus also offer color wheels or gobo wheels for projecting patterns or figures. FR Fresnel Lights: The FR Fresnel spotlight casts a rather harsh light. Which has the advantage that the headlight illuminates well and evenly even over longer distances. It is mainly used in the theater or film productions.
PAR Cans
The PAR spotlight is a spotlight which was mainly used in event lighting until a few years ago. Due to the modern LED technology, these original PAR cans are rarely found. The housings are divided into PAR 16, 20, 30, 36, 38, 56 and 64 according to its size. PAR 56 and 64 were the most common forms that were used for area illumination and the PAR 36 was used as a pinspot.
LED Lights
In contrast to conventional PAR spotlights, modern LED lights use special light-emitting diodes, so-called LEDs, instead of conventional lamps. A major advantage of LED technology is its low power consumption and long service life. A low heat build-up makes it easier to work with and in front of the headlight. With RGB color mixing, up to 16.5 million colors can be displayed and a wide variety of white tones from cold white to warm white. Everything perfectly coordinated for your application. These so-called 'flat' lights are LED headlights with a narrow, flat housing. LED lighting for the outside area. With IP65, the outdoor spotlight can be placed outdoors without hesitation, in rain and snow even for a longer period of time
LED Bars
LED bars are headlights in a narrow, elongated shape. They provide width, indirect lighting. Due to the low installation depth, the LED bar can be easily hidden. Some models can also create matrix effects, which then serve as eye-catchers at every party.
Scanner and Moving Heads
Scanner and Moving Heads are the devices for moving light in a room. The scanner is a spotlight whose light beam is deflected by an electromechanically movable mirror. The moving head is a head-moving spotlight that can be swiveled around two axes. In contrast to the scanner, the moving head moves the entire "head" including the light source. Whereas with the scanner the light source is fixed and the mirror or mirror roller moves.
LED Follow Spots
The Follow Spot is a special form of the profile spotlight, which is used for example to put the actor in the limelight on a stage, in film, television or shows. The Follow Spot sends out a strong, precise beam of light that only highlights the desired section and leaves the rest in the dark. The spotlight follows the movements of the actor.
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