Digital Stagebox for GLD and Qu16 Mic XLR preamps8 XLR line outputsPhantom power LEDEthernet input/output

Also suitable for Allen & Heath Qu consoles8 XLR mic / line inputs4 XLR line outputs (L/R)Cat 5 inputFormat: 19" / 1 UDimensions: 483 x 220 x 48 mmWeight: 3 kg

Audio RackFor Allen & Heath Qu consoles24 XLR mic / line inputs12 XLR line outputs (L/R)Cat 5 outputsAviom monitor outputFormat: 19" / 3 UDimensions: 483 x 220 x 137 mmWeight: 5 kg

CQ-12T is the smallest mixer in the CQ range and is ideal for home recording and streaming, band rehearsals, small gigs, and speech applications.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-12T FeaturesInputs: 5 XLR5 XLR/TRS Combi2 TRS (stereo)16×16 USB-B interface (48/96kHz)16×16 SD record/playback (48/96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)Assignable TRS headphone output2 FX engines3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlDimensions (W x H x D): 290 x 88 x 242 mmWeight: 2.4kg

CQ-18T is the largest desktop mixer in the CQ range and is ideal for gigging bands, rehearsal spaces, home recording and streaming, speech applications and corporate AV.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-18T FeaturesInputs: 8 XLR8 XLR/TRS Combi2 TRS (stereo)24×22 USB-B interface (48/96kHz)SD record/playback 24x22 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)2 Assignable TRS headphone outputs4 FX engines3 Custom Rotaries3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 346 x 88 x 242 mmWeight: 3kg

Designed for life on the stage, CQ-20B is the highest channel-count mixer in the range and is controlled via the free CQ MixPad app.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-20B FeaturesInputs: 8 XLR8 XLR/TRS Combi4 TRS (stereo)24×24 USB-B interface (48/96kHz)SD record/playback 24×24 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 XLR (Monitors)Assignable Alt OutAssignable TRS headphone output4 FX enginesBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 372 x 133 x 153 mmWeight: 2.6kg

Dante Audio Networking CardDesigned to help integrate dLive and Avantis into a wide range of live, install and broadcast scenarios, the Dante 128×128 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware.With 128 channels of bidirectional audio at 96kHz, the Dante 128×128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality.The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. A dedicated Control Network port is provided for configuration using Dante Controller software.Support for the AES67 standard allows interoperability with other AoIP protocols found in broadcast, install and live sound scenarios and simplifies audio transport between different systems.Compatibility with Dante Domain Manager (DDM) enables integration with large networks and transparent routing across subnets as well as robust security and authentication options.Features128 bidirectional channels of Dante I/O at 96kHz or 48kHzPrimary and Secondary audio ports for redundancy or switched operationDedicated Control Network port for configurationInternal Network Bridge switch to bridge the dLive/Avantis Control Network and the Dante Control NetworkMultitrack recording via Dante Virtual Soundcard (available separately)64 channels at 48kHz32 channels at 96kHzAES67 compatibleDante Domain Manager (DDM) readyUp to 5x superDANTE w/ dLive S Class / Up to 2x superDANTE w/ dLive C ClassPlug and play operationUse off the shelf network hardware

Dante Audio Networking CardDesigned to help integrate dLive and Avantis into a wide range of live, install and broadcast scenarios, the Dante 64×64 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware.With 64 channels of bidirectional audio at 96kHz, the Dante 64×64 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality.The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. A dedicated Control Network port is provided for configuration using Dante Controller software.Support for the AES67 standard allows interoperability with other AoIP protocols found in broadcast, install and live sound scenarios and simplifies audio transport between different systems.Compatibility with Dante Domain Manager (DDM) enables integration with large networks and transparent routing across subnets as well as robust security and authentication options.Features64 bidirectional channels of Dante I/O at 96kHz or 48kHzPrimary and Secondary audio ports for redundancy or switched operationDedicated Control Network port for configurationInternal Network Bridge switch to bridge the dLive/Avantis Control Network and the Dante Control NetworkMultitrack recording via Dante Virtual Soundcard (available separately)64 channels at 48kHz32 channels at 96kHzAES67 compatibleDante Domain Manager (DDM) readyUp to 5x superDANTE w/ dLive S Class / Up to 2x superDANTE w/ dLive C ClassPlug and play operationUse off the shelf network hardware

Dante® module for SQ series mixersSQ Dante provides any SQ mixer with a full 64×64 channel, 96kHz or 48kHz interface to a Dante network. An SQ equipped with the Dante option card connects seamlessly to DT expanders, wireless systems, amplifiers, preamps and any other device on your Dante network, taking full advantage of the SQ's high-resolution 96kHz audio.The SQ Dante card can be switched between 96kHz or 48kHz to support Dante networks with either sample rate. The card not only simplifies system integration, but also enables digital splits and affordable multitrack recording directly to a computer.V2 - AHM-64 compatibleSQ Dante V2 shares all the features and specifications of the V1 module, with no differences for SQ users*, but the V2 module can also be installed and used in an AHM-64.features64×64 channel audio and control over a network96kHz or 48kHz operationMulti-channel recording/playback with Dante Virtual Soundcard*Two ports with redundancy and switch modeInternal Control Network BridgeLockable Ethercon connectorsDante domain manager readyAES67 compatibleV1 compatible with SQV2 compatible with SQ (V1.5+) and AHM-64

The compact and portable DT22 enables simple integration of Phoenix / Euroblock equipped hardware into a Dante network. Two inputs and two outputs make it suitable for a range of fixed install scenarios.DT22 is a compact 48kHz/96kHz Dante interface enabling convenient placement of 2 mic/line inputs and 2 line outputs wherever you need to get analogue audio in and out of a Dante network. Equipped with standard Phoenix / euroblock connectors, DT22 is designed for fixed installation and can be easily mounted under a meeting table, for example in a breakout room or huddle space, under a podium for local mic/PC and speaker connection, or rack-mounted to interface with analogue equipment such as an AV switcher.It can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as in third party Dante systems. The unit can be PoE powered or powered via a DC 12V supply.FeaturesDante 2×2 interface, 48kHz/96kHzPhoenix euroblock connectorsLocal gain control and mic/line switch48V phantom powerPoE powered or DC 12VRugged aluminium boxIncludes ears for surface mountingOptional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready

The compact and portable DT20 converts two analogue inputs, via combo XLR-Jack, to two channels of Dante audio, enabling hassle-free connection of analogue sources to a Dante network for install and live applications.Dante Input Interface – 2 INDT20 is a compact 48kHz/96kHz Dante interface enabling convenient placement of 2 mic/line inputs wherever you need to get analogue audio into a Dante network.Ideal for both fixed installation and AV hire / live applications, DT20 can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as in third party Dante systems.Thanks to its compact format, DT20 can be easily mounted under a table, podium etc. for local mic connection – or rack-mounted wherever required – on stage, or at FoH.The unit can be PoE powered or powered via a DC 12V supply. Two versions are available: the standard DT20 with power supply and rubber feet, or the DT20-M which includes surface mounting ears (and no power supply).FeaturesDante input interface, 48kHz/96kHz2x combi mic/line inputsLocal gain control48V phantom power with LED indicatorPoE powered or DC 12VEtherCon connectorRugged aluminium boxOptional ears for surface mounting (included in DT20-M version)Optional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready

The compact and portable DT02 converts two channels of Dante audio to a pair of XLR line-outputs, enabling simple break-out to analogue equipped hardware for install and live applications.DT02 is a cost-effective, compact 48kHz/96kHz Dante interface enabling 2x XLR outputs wherever you need them on your Dante network. Ideal for a wide variety of fixed installation and AV hire / portable applications, DT02 can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as with third party Dante systems.Housed in a compact rugged aluminium box, and with optional mounting ears or rack kit, DT02 can be easily deployed wherever you need it, either mounted in proximity of active speakers or monitors, or placed in the equipment rack.The unit can be PoE powered or powered via a DC 12V supply. Two versions are available, the standard DT02 with power supply and rubber feet, or the DT02-M which includes surface mounting ears (and no power supply).FeaturesDante output interface, 48kHz/96kHz2x XLR line outputsPoE powered or DC 12VEtherCon connectorRugged aluminium boxOptional ears for surface mounting (included in DT02-M version)Optional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready

Dante Audio ExpanderOperating at a sampling rate of 96 kHz / 48 kHzDesigned in the form of a portable stage boxEquipped with 16 Mic Preamps featuring XLR connectors with status LEDs for phantom powerOffers 8 XLR Line OutsComes with Dante Primary and Secondary Ports using EtherCon connectionsOperates in both redundant and switched modesAllows for direct access to the preamps from the dLive and SQ seriesIncludes robust rubber protective corners and a convenient carrying handleCompatible with AES67Ready for integration with Dante Domain ManagerAn optional 19-inch rack kit is availableDimensions (W x D x H): 399 x 189 x 182 mmWeight: 4.75 kg

The DX Hub is a remote audio networking hub that can be connected to any Allen & Heath AHM-64, SQ or Avantis mixer via SLink, or any Avantis mixer or dLive system fitted with a gigaACE I/O module. It provides 4 DX Link ports each carrying 32×32 channels of 96kHz audio, that can be used to connect to DX expander units.Up to 2 DX expanders can be connected to each DX Link port allowing up to 128 remote inputs and 64 remote outputs to be added to the system.Multiple DX Hubs can be used for further expansion, or for dual redundancy (dLive only)

For dLive S / C Class Mixer16 Mic / line inputs8 XLR outputsPhantom PowerPlug and PlayCompatible with CAT5e cables up to 100m in lengthWidth: 19"

dLive/Avantis audio networking cardThe gigaACE audio networking card (M-DL-GACE) is one of several audio networking options that can be fitted to any Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 96kHz gigaACE point-to-point link to another dLive or Avantis mixing system. It also enables connection from a dLive system to the DX Hub or GX4816 expander.gigaACE is Allen & Heath’s proprietary protocol for transporting Audio and Control over Ethernet, using standard CAT cables. It allows very low latency and cable redundancy without any audio dropout. gigaACE can also tunnel the dLive/Avantis TCP/IP control network over the same connection, for example to enable control of either of the two systems by a single laptop.The gigaACE card offers a cost-effective and simple solution for digital split applications, replacing the copper multicore / analogue splitters of the past. In a typical FoH / Monitor configuration, the inputs of a dLive or Avantis system are sent to a second system where independent trim, processing and mixing is applied.gigaACE is a truly plug ‘n play protocol: no computer is required for the setup of gigaACE connections. Simply plug the cable between any two dLive/Avantis systems and set the patch and clock settings directly on the mixer.Features:128 in, 128 out96kHz sample rateUltra-low transport latency – 5 samples (52 us)Dual redundancySwitchable Control Network Bridge

THE MIXER THAT CHANGED THE RULESPortable 18 in / 14 out Digital Mixer with remote wireless controlQu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.Our Best-Selling Digital Mixing PlatformInputs: 16 Mono / 1 StereoExpandable to 32 mono / 3 stereoMixes: 4 Mono / 4 Stereo / LRExpandable to 4 Mono / 7 Stereo / LRMatrix: 2 Stereo32x32 USB Audio InterfaceComprehensive Channel Processing and FXRange of Remote ExpandersSuitable for:LiveStudioStreamingA/V InstallCorporate AudioDimensions: 436 x 175 x 162mm Weight: 4.5kg

Audio Network Expansion CardFor installation in Allen & Heath SQ mixing consolesExtends the mixer by a SLink output with a maximum of 128x128 channels and 48 / 96kHz operation

19" rack mountableWith 96 kHz FPGA processing17 faders / 6 layers12x stereo mixes (perfect for in-ear monitoring setups) + LR3x stereo matrix8x Internal stereo FX engines with stereo returnsDEEP processing enables the integration of plug-ins directly into the mixer inputs and mix channels7" Touch screenSLink port for remote audio networking64ch I/O port for audio networking32 x 32 USB audio interfaceSQ-Drive direct recording to USBAES outputChromatic channel meteringIntegrated LED illumination per faderDedicated physical controls8 assignable SoftKeysChannel LCD displaysCompatible with the ME 1 and ME-500, as well as Dante or Waves audio networking cardsDimensions: 440 x 514.9 x 198 mmWeight: 10.5 kg

48-Channel Digital MixerWith 96 kHz FPGA processing25 Faders / 6 layers12 Stereo mixes (perfect for in-ear monitoring setups) + LR3x Stereo matrix8x Stereo FX engines + dedicated stereo returnsDEEP processing enables the integration of plug-ins directly into the mixer inputs and mix channels7" TouchscreenS-Link port for remote audio / expansion64ch I/O port for audio networking32 x 32 USB audio interfaceSQ-Drive direct recording to USBAES outputChromatic channel meteringIntegrated LED illumination per faderDedicated physical controls16 Assignable Soft Keys4 Assignable Soft RotariesChannel LCD displaysCompatible with the ME 1 and ME-500, as well as Dante or Waves audio networking cardsDimensions: 638 x 514.9 x 198 mmWeight: 13.3 kg

dLive/Avantis Audio Networking CardThe Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.SoundGrid is an Audio-over-Ethernet protocol developed by Waves for real-time professional audio applications. It provides a very low latency environment using standard Gigabit Ethernet networks. Plugin processing can be performed natively on a computer or on dedicated Waves servers.Go to the Waves website to learn more about Waves for the Allen & Heath platform, download further documentation, and follow the instructions to set up the hardware and software:http://www.waves.com/live-sound/allen-heath Features:128 in, 128 outSwitchable 48/96kHz sample rateWaves SoundGrid audio networkingMultitrack recording and playbackIntegrated 3-port Ethernet switch for connection of multiple devicesInput sharing with Waves V2 and V3 cards

Padded shoulder bag made of black nylon for PreSonus StudioLive Classic 16.0.2 USB Digital Console Mixer Reinforced zipper Adjustable shoulder strap. Spacious compartment for cables and microphones Practical carrying handles Color: blackDimensions: 6.10 x 45.20 x 54.86 cm Weight: 0.9 kg

With the PreSonus HP60 six-channel headphone distribution system, you can easily provide headphone mixes your musicians will love. That’s because the HP60 is more than a set of headphone amplifiers: It’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.Each of the HP60’s six headphone amps has its own level control and is louder than you’ll ever need, yet crystal clear. Two sets of line-level, stereo inputs are routed to all six headphones, with a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed a click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. In addition, you get an external stereo input with level control, mono and mute for each headphone channel, so you can send each musician a custom feed of just their instrument or voice and can control the level separately for each.With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and a dynamic mic to tell ‘em what to do. A footswitch input enables hands-free talkback control.Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a PreSonus HP4 to feed 10 pairs of headphones.So take command of your headphone system with the problem solver: the PreSonus HP60.Features- 6 screaming-loud (150 mW/channel) front-panel headphone outputs- 6 unbalanced stereo ¼-inch line outputs (1 per channel); carries a copy of the channel mix- 6 unbalanced stereo ¼-inch external line inputs (1 per channel) for “more me,” with trim controls- 2 stereo input channels (A and B) with 4 balanced ¼-inch line inputs (L/R Mix input pairs- 1 balanced XLR Talkback input for external dynamic microphone- 1 ¼-inch footswitch jack for hands-free Talkback operationChannel controls: External input level, Headphone level for each headphone output, Mix A/B control (blends signals from input pairs A and B), Mono switch for external input and Mute switch for input pairs A and B- Master controls: Input A level, Input B level, Talk button (momentary switch) and Talkback-mic level- 1U 19-inch rack-mountable, rugged steel chassisInternal power supply with standard IEC connector

The PreSonus StudioLive 32S is a powerful digital mixing console designed for professional applications in live performances and recording studios. With its impressive array of 32 microphone/line inputs and 16 FlexMix outputs, it provides the ability to mix and process a variety of audio sources. Its integrated touchscreen facilitates intuitive operation, allowing for quick adjustments during live performances.Featuring high-quality preamps, the mixer offers precise signal processing for top-notch audio quality. It also supports a variety of digital effects and signal processing tools to optimize and tailor the sound. The integrated Capture software by PreSonus allows for direct recording of live performances, making it a versatile tool for musicians and sound engineers.With flexible signal routing options, channels, Aux sends, and other functions can be individually assigned to meet the requirements of different applications. The integrated networking capability enables easy control and integration into complex audio systems and also supports remote control of the mixer via Wi-Fi or Ethernet.Overall, the PreSonus StudioLive 32S delivers professional audio quality, intuitive operation, and versatile functionality, making it a popular choice for musicians, bands, and sound engineers seeking a powerful and reliable mixing console.Powered by the new Dual-Core PreSonus FLEX DSP engine, handling the most digital mixer in its classDigital mixer with 40 input channels and 33 touch-sensitive, motorized faders32 locally digitally controlled XMAX mic/line inputs2 balanced stereo aux inputs1 stereo tape input (RCA, Bluetooth, USB, AVB, or SD)4 FLEX FX returns1 talkback26 mix buses16 FlexMixes (aux, subgroup, matrix)4 dedicated FLEX FX buses4 dedicated subgroupsStereo main bus286 simultaneous processorsHPFGate/expanderCompressor with Fat Channel plug-in modelsParametric 4-band/6-band EQ with Fat Channel plug-in modelsLimiter31-band graphic EQ4 FLEX FX slots with legendary classic reverb emulations and delaysState-space modeled Fat Channel compressor and EQ plug-ins available for each input channel and output busFLEX FX multi-effect processor with 4 slots for loading legendary reverb emulations and delays with 4 dedicated effect buses24 DCAs to control channel groups128-channel recording (64x64) via USBIntegrated multichannel SD recorder (34x34) with true virtual soundcheck modeAVB Networking onboard (64x64) for connecting to other mixers, NSB series stage boxes, EarMix 16M monitors, and othersUser profiles for managing multiple operators with custom permissionsDigital patching per channel from any source for analog, AVB, USB, or SD cardDAW controlAdvanced Studio One control integrationMCU emulation mode optimized for LogicHUI emulation mode optimized for ProToolsRemote control all mix functions from your computer, iPad, or Android tablet with UC Surface (included)With QMix-UC (included) for iOS or Android, you can take control of your musicians' monitor mixCapture 3.0 multitrack software includedAutomated virtual soundcheckSave StudioLive mix scenes with your audioAdvanced Studio One integration (Studio One Artist included)XMAX microphone preamplifier control from Studio OneControl Fat Channel parameters via Studio One mixerSystem RequirementsMacmacOS 10.11 or higher (64-bit only)Intel Core 2 Duo processor (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended)WindowsWindows 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64Intel Core 2 Duo (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended)Mac & Windows systemsUSB 2.0 portInternet connectionAn internal or external hard drive with 7200 RPM is strongly recommended30 GB hard drive spaceMonitor with a resolution of 1366x768SpecificationsPower consumption: 85 WDimensions (W x D x H): 822 x 583 x 165 mmWeight: 16.9 kg