Original Allen & Heath Softcase for CQ-18TDelivery without device

Original Allen & Heath Softcase for CQ-12TDelivery without device

The PreSonus StudioLive 32S is a powerful digital mixing console designed for professional applications in live performances and recording studios. With its impressive array of 32 microphone/line inputs and 16 FlexMix outputs, it provides the ability to mix and process a variety of audio sources. Its integrated touchscreen facilitates intuitive operation, allowing for quick adjustments during live performances.Featuring high-quality preamps, the mixer offers precise signal processing for top-notch audio quality. It also supports a variety of digital effects and signal processing tools to optimize and tailor the sound. The integrated Capture software by PreSonus allows for direct recording of live performances, making it a versatile tool for musicians and sound engineers.With flexible signal routing options, channels, Aux sends, and other functions can be individually assigned to meet the requirements of different applications. The integrated networking capability enables easy control and integration into complex audio systems and also supports remote control of the mixer via Wi-Fi or Ethernet.Overall, the PreSonus StudioLive 32S delivers professional audio quality, intuitive operation, and versatile functionality, making it a popular choice for musicians, bands, and sound engineers seeking a powerful and reliable mixing console.Powered by the new Dual-Core PreSonus FLEX DSP engine, handling the most digital mixer in its classDigital mixer with 40 input channels and 33 touch-sensitive, motorized faders32 locally digitally controlled XMAX mic/line inputs2 balanced stereo aux inputs1 stereo tape input (RCA, Bluetooth, USB, AVB, or SD)4 FLEX FX returns1 talkback26 mix buses16 FlexMixes (aux, subgroup, matrix)4 dedicated FLEX FX buses4 dedicated subgroupsStereo main bus286 simultaneous processorsHPFGate/expanderCompressor with Fat Channel plug-in modelsParametric 4-band/6-band EQ with Fat Channel plug-in modelsLimiter31-band graphic EQ4 FLEX FX slots with legendary classic reverb emulations and delaysState-space modeled Fat Channel compressor and EQ plug-ins available for each input channel and output busFLEX FX multi-effect processor with 4 slots for loading legendary reverb emulations and delays with 4 dedicated effect buses24 DCAs to control channel groups128-channel recording (64x64) via USBIntegrated multichannel SD recorder (34x34) with true virtual soundcheck modeAVB Networking onboard (64x64) for connecting to other mixers, NSB series stage boxes, EarMix 16M monitors, and othersUser profiles for managing multiple operators with custom permissionsDigital patching per channel from any source for analog, AVB, USB, or SD cardDAW controlAdvanced Studio One control integrationMCU emulation mode optimized for LogicHUI emulation mode optimized for ProToolsRemote control all mix functions from your computer, iPad, or Android tablet with UC Surface (included)With QMix-UC (included) for iOS or Android, you can take control of your musicians' monitor mixCapture 3.0 multitrack software includedAutomated virtual soundcheckSave StudioLive mix scenes with your audioAdvanced Studio One integration (Studio One Artist included)XMAX microphone preamplifier control from Studio OneControl Fat Channel parameters via Studio One mixerSystem RequirementsMacmacOS 10.11 or higher (64-bit only)Intel Core 2 Duo processor (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended)WindowsWindows 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64Intel Core 2 Duo (Intel Core i3 or faster recommended)4 GB RAM (8 GB or more recommended)Mac & Windows systemsUSB 2.0 portInternet connectionAn internal or external hard drive with 7200 RPM is strongly recommended30 GB hard drive spaceMonitor with a resolution of 1366x768SpecificationsPower consumption: 85 WDimensions (W x D x H): 822 x 583 x 165 mmWeight: 16.9 kg

The Allen & Heath CQ-12T Rackmount Kit provides the ideal solution to seamlessly integrate your compact digital mixer into a 19-inch rack. The two black-painted steel rack brackets and accompanying mounting screws ensure a secure and stable attachment of your mixer within the rack. Tailor-made for the CQ-12T, this rackmount kit fits perfectly, eliminating any concerns about compatibility.This kit allows you to transform your mixer into a professional unit, thereby optimizing the performance of your entire setup. By incorporating your mixer into the rack, you not only achieve a tidy appearance but also enhance organization, particularly beneficial in professional environments.Utilize the Allen & Heath CQ-12T Rackmount Kit to extract the best performance from your mixer while ensuring a professional and organized appearance. It serves as the perfect complement for anyone seeking a reliable and customized solution for rack-mounting their CQ-12T digital mixer.

The Allen & Heath CQ-18T Rackmount Kit provides the ideal solution to seamlessly integrate your compact digital mixer into a 19-inch rack. The two black-painted steel rack brackets and accompanying mounting screws ensure a secure and stable attachment of your mixer within the rack. Tailor-made for the CQ-18T, this rackmount kit fits perfectly, eliminating any concerns about compatibility.This kit allows you to transform your mixer into a professional unit, thereby optimizing the performance of your entire setup. By incorporating your mixer into the rack, you not only achieve a tidy appearance but also enhance organization, particularly beneficial in professional environments.Utilize the Allen & Heath CQ-18T Rackmount Kit to extract the best performance from your mixer while ensuring a professional and organized appearance. It serves as the perfect complement for anyone seeking a reliable and customized solution for rack-mounting their CQ-18T digital mixer.

dbx ZonePro 640, programmable, digital DSP audio processor The programmable audio signal processor is installed in a 19" housing with 1U. It has two balanced microphone or line inputs and an additional 4 asymmetrical line inputs. There are 4 symmetrical line outputs available on the output side. All inputs and outputs are freely assignable. Each of the four outputs has an LED on the front for signal display. The device was operated via the front display. The controls on the device can be locked to prevent unintentional operation of the settings. Up to 12 remote control units can be addressed for preset, source selection and level. There is an RS-232 interface on the front and back. The rear socket can be connected to a media control system, and in parallel the device configurations can be carried out via a PC connected to the front. The included software must be installed on a computer to configure the device. This software should be able to configure system structures. Elements such as mixer matrix, feedback suppression, loudness, leveler, compressor, limiter, noise gating, notch filtering, bandpass and crossover, delay, parametric EQ etc. should be available. Once the device has been configured, it should be possible to operate the device without a connected computer. All parameters required for this are saved in non-volatile memory in the device. Characteristics: Inputs: 4x asymmetric line + 2x balanced microphone (with phantom power) - or line level Outputs: 4 balanced line outputs Dynamic range: 109dB A-weighted Sample rate: 48kHz / 24-bit oversampling Distortion: 0.003% typical at +4dBu, 1kHz Frequency response: 20Hz - 20kHz, +/- 0.5dB Crosstalk: 80dB Power consumption: 9 watts

Dante Audio ExpanderOperating at a sampling rate of 96 kHz / 48 kHzDesigned in the form of a portable stage boxEquipped with 16 Mic Preamps featuring XLR connectors with status LEDs for phantom powerOffers 8 XLR Line OutsComes with Dante Primary and Secondary Ports using EtherCon connectionsOperates in both redundant and switched modesAllows for direct access to the preamps from the dLive and SQ seriesIncludes robust rubber protective corners and a convenient carrying handleCompatible with AES67Ready for integration with Dante Domain ManagerAn optional 19-inch rack kit is availableDimensions (W x D x H): 399 x 189 x 182 mmWeight: 4.75 kg

Dante Audio Networking CardDesigned to help integrate dLive and Avantis into a wide range of live, install and broadcast scenarios, the Dante 128×128 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware.With 128 channels of bidirectional audio at 96kHz, the Dante 128×128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality.The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. A dedicated Control Network port is provided for configuration using Dante Controller software.Support for the AES67 standard allows interoperability with other AoIP protocols found in broadcast, install and live sound scenarios and simplifies audio transport between different systems.Compatibility with Dante Domain Manager (DDM) enables integration with large networks and transparent routing across subnets as well as robust security and authentication options.Features128 bidirectional channels of Dante I/O at 96kHz or 48kHzPrimary and Secondary audio ports for redundancy or switched operationDedicated Control Network port for configurationInternal Network Bridge switch to bridge the dLive/Avantis Control Network and the Dante Control NetworkMultitrack recording via Dante Virtual Soundcard (available separately)64 channels at 48kHz32 channels at 96kHzAES67 compatibleDante Domain Manager (DDM) readyUp to 5x superDANTE w/ dLive S Class / Up to 2x superDANTE w/ dLive C ClassPlug and play operationUse off the shelf network hardware

dLive/Avantis Audio Networking CardThe Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.SoundGrid is an Audio-over-Ethernet protocol developed by Waves for real-time professional audio applications. It provides a very low latency environment using standard Gigabit Ethernet networks. Plugin processing can be performed natively on a computer or on dedicated Waves servers.Go to the Waves website to learn more about Waves for the Allen & Heath platform, download further documentation, and follow the instructions to set up the hardware and software:http://www.waves.com/live-sound/allen-heath Features:128 in, 128 outSwitchable 48/96kHz sample rateWaves SoundGrid audio networkingMultitrack recording and playbackIntegrated 3-port Ethernet switch for connection of multiple devicesInput sharing with Waves V2 and V3 cards

DAP IMIX-7.37-channel 2U install mixer - 3 zonesThe DAP IMIX-7.3 is a compact installation mixer with zone control. It has exact the same functionality as the IMIX-7.1 but each input on the IMIX-7.3 can be routed to the desired output. This function makes it possible to control 3 areas with different music, sound level and EQ settings.Gain settings at backsideSpecial front input for phone/MP3 devicesZone control for 3 balanced outputs2 Mic, 11 Line inputsSpecificationsInputsMono Inputs: 2Mono Input Connector: 3-pin XLR, TRS balanced 6.3 mmStereo Inputs: 10Stereo Input Connector: RCAPhono Audio Inputs: 2Phono Audio Input Connector: RCAAuxiliary Inputs: 1Auxiliary Input Connector: RCA, TRS balanced 3.5 mmOutputsMain Outputs: 3Main Output Connector: 3-pin XLR, RCAHeadphone Output: 1Headphone Output Connector: TS balanced 6.3 mmRecord Output: 1Record Output Connector: RCAAudio SpecificationsTHD Level: < 0.05 %Signal-to-noise Ratio: > 100 dBFrequency Response Minimum: 20 HzFrequency Response Maximum: 20000 HzSound EditingMicrophone Input Equalizer Gain Range: 12 dBParametric Microphone Equalizer: 3 BandsMicrophone Input Fixed Frequencies: 80, 1.000, 12.000 HzParametric Main Equalizer: 3 BandsMain Output Equalizer Gain Range: 12 dBMain Output Fixed Frequencies: 80, 1.000, 12.000 HzProduct PropertiesLED Indicators: Channel select, Clip, Mute, Output level, SignalElectrical Specifications and ConnectionsPower Supply: 240 V AC 50-60 HzOutput Voltage: 18 V ACPower Consumption: 19.1 WPower Connector In: Low Voltage DC plugMechanical SpecificationsFader Length: 60 mmHeight (mm): 88 mmWidth (mm): 95 mmLength (mm): 481 mmFlightcase Size: 19"Rack Units: 2 UHousing: MetalColour: BlackWeight: 2.8 kgIP Rating: IP20 (indoor use only)Included ItemsIncluded Accessories: Adapter

CQ-12T is the smallest mixer in the CQ range and is ideal for home recording and streaming, band rehearsals, small gigs, and speech applications.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-12T FeaturesInputs: 5 XLR5 XLR/TRS Combi2 TRS (stereo)16×16 USB-B interface (48/96kHz)16×16 SD record/playback (48/96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)Assignable TRS headphone output2 FX engines3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlDimensions (W x H x D): 290 x 88 x 242 mmWeight: 2.4kg

Designed for life on the stage, CQ-20B is the highest channel-count mixer in the range and is controlled via the free CQ MixPad app.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-20B FeaturesInputs: 8 XLR8 XLR/TRS Combi4 TRS (stereo)24×24 USB-B interface (48/96kHz)SD record/playback 24×24 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 XLR (Monitors)Assignable Alt OutAssignable TRS headphone output4 FX enginesBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 372 x 133 x 153 mmWeight: 2.6kg

CQ-18T is the largest desktop mixer in the CQ range and is ideal for gigging bands, rehearsal spaces, home recording and streaming, speech applications and corporate AV.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-18T FeaturesInputs: 8 XLR8 XLR/TRS Combi2 TRS (stereo)24×22 USB-B interface (48/96kHz)SD record/playback 24x22 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)2 Assignable TRS headphone outputs4 FX engines3 Custom Rotaries3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 346 x 88 x 242 mmWeight: 3kg

With the PreSonus HP60 six-channel headphone distribution system, you can easily provide headphone mixes your musicians will love. That’s because the HP60 is more than a set of headphone amplifiers: It’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.Each of the HP60’s six headphone amps has its own level control and is louder than you’ll ever need, yet crystal clear. Two sets of line-level, stereo inputs are routed to all six headphones, with a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed a click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. In addition, you get an external stereo input with level control, mono and mute for each headphone channel, so you can send each musician a custom feed of just their instrument or voice and can control the level separately for each.With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and a dynamic mic to tell ‘em what to do. A footswitch input enables hands-free talkback control.Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a PreSonus HP4 to feed 10 pairs of headphones.So take command of your headphone system with the problem solver: the PreSonus HP60.Features- 6 screaming-loud (150 mW/channel) front-panel headphone outputs- 6 unbalanced stereo ¼-inch line outputs (1 per channel); carries a copy of the channel mix- 6 unbalanced stereo ¼-inch external line inputs (1 per channel) for “more me,” with trim controls- 2 stereo input channels (A and B) with 4 balanced ¼-inch line inputs (L/R Mix input pairs- 1 balanced XLR Talkback input for external dynamic microphone- 1 ¼-inch footswitch jack for hands-free Talkback operationChannel controls: External input level, Headphone level for each headphone output, Mix A/B control (blends signals from input pairs A and B), Mono switch for external input and Mute switch for input pairs A and B- Master controls: Input A level, Input B level, Talk button (momentary switch) and Talkback-mic level- 1U 19-inch rack-mountable, rugged steel chassisInternal power supply with standard IEC connector

DM3 Series allow engineers to capture the on-stage sound accurately, without coloration, and then addcreative touch as required. It exemplifies a “less is more” design philosophy, utilizing a 9” touchscreenand a single Touch & Turn knob for managing most of the console’s operations. DM3 mixing consolesgive you the power and flexibility to DO MORE than ever imagined with a digital console this compact.9" touch screen9 motorized faders"Turn & Touch" controls18x18 USB 2.0 audio interface 96kHz8 exits6 x Mix Bus + 2 x FX + 2 x MatrixDAW Remote Feature (HUI)OSC support for installationsEditor app available for tablet (tablet not included)6 freely assignable buttons2 x 2 channel recording/playback via USB port8 effects + GEQ on the mix/stereo busDimensions (W x H x D): 320 x 140 x 455 mmWeight: 6.5kgIncludes Steinberg Cubase AI and VST Rack ElementsConnections:16 mic/line inputs (12 x XLR, 4 x combo XLR/jack 6.3 mm)8 line outputs XLRStereo headphone output: 6.3 mm jackUSB to hostUSBEthernet RJ45

The Tio1608-D2 is a Dante-compatible I/O rack equipped with 16 mic/line inputs and 8 line outputs. It can remotely control the preamps of the TF and DM3 series consoles, allowing you to build a simple stage box system. The versatile Tio1608-D2 also supports 96kHz and is therefore just as perfect for use as an I/O rack in large installations with products such as the RIVAGE PM or DME7.characteristics• 2U size, 16 inputs and 8 outputs.• The Dante network protocol contributes to greater system scalability and flexibility• Easy configuration using the DM3's AUTO CONFIG function or the TF Series' QUICK CONFIG function• Features recallable D-PRE preamps• Dimensions (W x H x D): 480mm x 88mm x 364mm (18.9" x 3.5" x 14.4")• Net weight: 5.7 kg (12.6 lbs)

Yamaha RK DM3 Rack Adapter for DM3/DM3S

DM3 Series allow engineers to capture the on-stage sound accurately, without coloration, and then addcreative touch as required. It exemplifies a “less is more” design philosophy, utilizing a 9” touchscreenand a single Touch & Turn knob for managing most of the console’s operations. DM3 mixing consolesgive you the power and flexibility to DO MORE than ever imagined with a digital console this compact.9" touch screen9 motorized faders"Turn & Touch" controls18x18 USB 2.0 audio interface 96kHz8 exits6 x Mix Bus + 2 x FX + 2 x MatrixDAW Remote Feature (HUI)OSC support for installationsEditor app available for tablet (tablet not included)16 x 16 DANTE Interface6 freely assignable buttons2 x 2 channel recording/playback via USB port8 effects + GEQ on the mix/stereo busDimensions (W x H x D): 320 x 140 x 455 mmWeight: 6.5kgIncludes Steinberg Cubase AI and VST Rack ElementsConnections:16 mic/line inputs (12 x XLR, 4 x combo XLR/jack 6.3 mm)8 line outputs XLRStereo headphone output: 6.3 mm jackUSB to hostUSBEthernet RJ45

The DAP IMIX-7.1 is an installation mixer with 7 channels and 3 master outputs. 19"/2U installation mixer Suitable for gastronomy, retail, public facilities and nightlife 2x microphone input with volume and EQ controls 5x line input with individual volume control (fader) and gain control 3 master outputs with volume control and EQ settings A good mix between the different inputs and the master volume can be created and EQ settings can be adjusted for each output. In total, you can connect two dynamic microphones and five audio devices, with the microphone inputs equipped with a 3-band EQ control. The gain settings for each input are on the rear panel. This prevents overrides by non-technical users. On the front there is a direct input for 2 microphones, 1 line source or a phone/MP3 device with a special impedance switch.

dLive/Avantis audio networking cardThe gigaACE audio networking card (M-DL-GACE) is one of several audio networking options that can be fitted to any Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 96kHz gigaACE point-to-point link to another dLive or Avantis mixing system. It also enables connection from a dLive system to the DX Hub or GX4816 expander.gigaACE is Allen & Heath’s proprietary protocol for transporting Audio and Control over Ethernet, using standard CAT cables. It allows very low latency and cable redundancy without any audio dropout. gigaACE can also tunnel the dLive/Avantis TCP/IP control network over the same connection, for example to enable control of either of the two systems by a single laptop.The gigaACE card offers a cost-effective and simple solution for digital split applications, replacing the copper multicore / analogue splitters of the past. In a typical FoH / Monitor configuration, the inputs of a dLive or Avantis system are sent to a second system where independent trim, processing and mixing is applied.gigaACE is a truly plug ‘n play protocol: no computer is required for the setup of gigaACE connections. Simply plug the cable between any two dLive/Avantis systems and set the patch and clock settings directly on the mixer.Features:128 in, 128 out96kHz sample rateUltra-low transport latency – 5 samples (52 us)Dual redundancySwitchable Control Network Bridge