Microphones


Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.

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AKG LC 81 MD cocoa reference lavalier microphone
KEEP YOUR AUDIENCE HOOKEDfor theater, broadcast and conferences

429,00 €*

delivery time 14 days
RODE NTG4+ shotgun condenser microphone
Broadcast-quality soundLow noise circuitInternal lithium batteries, rechargeable, up to 150 hours of operationCharging via USB, full charging time

349,00 €*

Immediately available or ready for collection
Sennheiser EW IEM G4 B-Band In Ear Monitoring Set
In Ear System of the Evolution Wireless seriesSet consisting of:UHF bodypack receiver (EK IEM G4)Stereo transmitter in a robust 9.5 "metal housing with intuitive OLED display (SR IEM G4)IE4 earphonesB-band frequency range: 626 - 668 MHzup to 16 compatible channelsup to 1680 frequencies in 42 MHz switching bandwidth20 channel banks with up to 16 presets eachStereo / focus / mono modeAudio transmission range: 25 - 15,000 HzFrequency transmission via infrared interfacePocket receiver with charging contacts for optional battery BA 2015 (NiMH) (battery not included)Pilot toneAutotune to find free frequenciesAudio gain is 60 dB4-digit battery indicator on the transmitter and receiverHDX companderOLED display with NF level and channel display3.5 mm jack for earphonesadjustable limiterswitchable transmission power: 10/30/50 mWWSM support (Ethernet interface for frequency management)adjustable 6.3 mm headphone jack on the transmitter1 BNC antenna socket2x jack / XLR female balanced combi jack inputsMains supply 10.5 - 16 V DCIncludes power supply NT 2-3 CW, 1 earphone IE 4, 2x 1.5 V battery and rack kit GA 3 for 19 "installation

1 099,00 €*

delivery time 14 days
Sennheiser SR2020 D 6 Channel Tour Guide Rack Transmitter
6 Switchable channelsUHF-Band (863 - 865 MHz)Display indicating channelScope of delivery: Rack mounting set GA 2, power supply NT 2-1, telescopic aerial

899,00 €*

delivery time 14 days
Rode NT-USB Mini USB Microphon
Polar pattern: CardioidIntegrated pop protectionMAx. sound pressure level: 121 dBA (@ 1% THD)Frequency range: 20-20000 HzBuilt-in 24 bit / 48 kHz audio interface with USB-C connectionClass Compliant (no driver installation required)Headphone output: 3.5 mm stereo jack with volume controlSwitchable direct monitoring for latency-free microphone signalUSB poweredSwivel steel housing with matte black coatingRemovable magnetic table baseSystem requirements: from Win 10, from Mac OS 10.12Microphone dimensions (W x D x H): 54.5 x 43.9 x 108.1 mmDimensions of table base (D x H): 89.3 x 32.4 mmWeight: 585 gIncludes USB cable

122,00 €*

delivery time 14 days
Grill RK265G for Shure BETA-58
Replacement basket for pocket transmitter for Shure Beta 58 (cable and wireless) normal version silver gray with blue ring

54,00 €*

Immediately available or ready for collection
Sennheiser SL Headmic Set DW-3 EU C
Digital 1.9 GHz Wireless Speechline SystemComprising SL headmic 1, SL rack receiver DW-3 EU and power supply, SL bodypack DW-3 EUUnder ideal conditions up to 20 compatible channelsAutomatic frequency management by Wireless Link Protection Technology7-Band equalizerBattery life up to 15 hoursSennheiser condenser capsule9.5" Metal receiver with removable antennasFrequency range: 1880 - 1900 MHz, no license is required and no charges are incurred when used anywhere in the worldIncludes transport case and BA 30

1 390,00 €*

delivery time 14 days
Schwanenhals 150 mm für CK31 -CK-80, integrierter PSA, XLR
Schwanenhalsmodul mit Schraubgewinde,robuste Ausführung, LED, In-LinePhantomspeiseadapterschlatbarer Bass Roll-off bei 200 HzMini-XLR SteckerLänge: 15 cm

259,00 €*

delivery time 14 days
Shure BLX14P31WirelessHeadset PGA31 analog S8 823 - 832 MHz
Shure UHF Wireless System BLX 14 / P31 from the PG Headset Seriesconsisting of:analog radio receiver (BLX4)BLX1 bodypack transmitterPGA31 Condenser Headset Microphonefeatures:Comfortable to wear, reliable entry-level headset for maximum freedom of movementElectret condenser capsule for detailed and clear soundCardioid condenser microphone protects against unwanted background noise for improved sound quality and more gain without feedbackFlexible design and discrete customization options optimize microphone positioning.Foam windscreen includedWindscreen suppresses explosive sounds, breath and wind noise for a clear and understandable soundOperating status and battery status LED displayAdjustable gainFast and easy frequency adjustmentUp to 14 hours of battery life with 2 AA batteries (included)Up to 100 meters rangeUp to 12 compatible systems per frequency bandMicroprocessor-controlled antenna diversityQuickScan finds the best free frequency at the push of a buttonTRS and XLR outputsTwo-color audio status LED

419,00 €*

delivery time 14 days
Rode NT-USB USB Condenser Microphon

184,00 €*

delivery time 14 days
Dynamic microphone for blues harp/harmonica
The DAP HM-30 is a successor to the legendary piezo microphones for blues harp. Using the latest microphone technology and high-precision processing, we present a signature microphone that will have all eyes (and ears) on you.For Richter-tuned harmonicaDynamic microphonecardioid characteristicCase and microphone holder includedspecificationsexitsMicrophone output: 1Microphone output connector: 3-pin XLRMicrophone resistance: 220 ?Audio SpecificationsMicrophone Type: Dynamic moving coilMicrophone sensitivity 1.2 mVPolar pattern: cardioidMax. sound pressure: 140 dBFrequency Response Minimum: 40 HzFrequency response maximum: 16000 HzPhantom Power: NoMicrophone on/off switch: NoMechanical SpecificationsHeight (mm): 90mmWidth (mm): 77mmLength (mm): 68mmDiameter: 20mmHousing material: aluminumColour: silverWeight: 0.267kgIncluded Itemsincluding accessories: box, microphone clamp

89,00 €*

Immediately available or ready for collection
Sennheiser antenne for EW G4 serie

14,90 €*

Immediately available or ready for collection
Sennheiser EW 112 G4 GB-Band Camara lavalier Mic Set 606 - 648 MHz
Consists of SK 100 G4 bodypack transmitter, EK 100 G4 pocket receiver and ME 2 condenser lavalier microphoneFrequency range: GB-band (606 - 648 MHz)Polar pattern: Omnidirectional42 MHz switching bandwidth20 Channel banks each with up to 12 presetsUp to 20 compatible channelsFrequency range: 25 - 18.000 HzFrequency transmission via infrared interfaceBodypack transmitter and pocket receiver with charging contact for optional BA 2015 (NiMH) rechargeable battery (not included)Pilot toneAutotune for finding free frequenciesAudio Gain includes 60 dB4-Digit battery indicator on the transmitter and receiverHDX companderLCD display with NF level and channel display30 mW transmission powerIncludes CL100 cable, CL 1 cable and CA 2 flash unit adapter

649,00 €*

delivery time 14 days
AKG PW45 Sport Set Band U2
AKG Perception 45 wirelessAKG PW45 Sport Set Band U2UHF Wireless System with pocket transmitter and C544 L Headsetmicrophone5 switchable frequencies in range A 614.100 - 629.300 MHz, 9,5" diversity-reveiver with internal antennasadjustable output volumeXLR outtransmitter works with 1x AA Battery or rechargeable batterylow-Battery-displayon/off/mute switch on transmitterincl. powersupply, C 544 L and 1x AA-battery

299,00 €*

delivery time 14 days
Sennheiser E 602-II dynamic instrument microphone
Sennheiser E 602 II dynamic instrument microphone, cardioid, large diaphragm, 20.....16000 Hz., 350 Ohms, aluminium housing, stand adapter, incl. bag, especially for bass drum, Brass, Contrabass., Note: less weight and better sound than the Sennheiser E 602

149,00 €*

Immediately available or ready for collection
AKG WMS 470 Sportset B3 720,000 - 750,000 MzH Wireless-System
true diversity30 MHz bandwidthup to 16 simultaneous frequencies per bandfrequency scan50 mW HF Powerpilot toneow battery indicator on receiver2-colour displayauto setup and rehearsal mode for easy use9.5" receiver in metal housingpocket transmitter with C544 L condenser headsetbattery level displayed in hourslow noise on/mute/off switchrequires 1x 1.5V AA batteriesrecharging contacts for CU400frequency selection via infra redbalanced XLR & unbalanced jack outputsincludes 19"/1U rackmount, 1x C 544 L, 1x 1.5V battery and stand adapterFrequency range: Band 7: 500 - 530 MHz

699,00 €*

delivery time 14 days
Rode WS8 Furry Windshield for NT5, NTS5 and NT6
Watch out tooSennheiser E614Sennheiser E914

23,90 €*

Immediately available or ready for collection
Shure QLXD 24 Beta 58 H51 Wireless microphone system
Beta58 capsuleCharacteristic: Supercardioid120 dB dynamic rangeAudio signal: 24 bit / 48 kHzAES-256 encryption for tap-proof transmissionUp to 72 MHz switching bandwidth22 compatible channels in an 8 MHz TV bandSwitchable transmission power 1/10 mW9.5" metal receiverDetachable BNC antennasEthernet port for system monitoring and configurationFrequency transmission via infrared interfaceOutput: XLR/jackTransmitter operation with 1.5 V AA batteries, or with (optional) SB 900 lithium ion rechargeable batteryFrequency band: H51 (534 - 598 MHz)Includes PS23 power supply and rack mount

1 399,00 €*

Immediately available or ready for collection
Sennheiser E 906 Evolution Instrument microphone supercardioid
SENNHEISER E 906 dynamic microphone for instruments supercardioid polar patternfrequency response: 40Hz-18kHzfrequency switch (hi-boost/flat/hi-cut)suitable for guitar, snare drum and brass

199,00 €*

delivery time 14 days
K&M 85070 Microphone holder
K&M 85070 Microphone holder for wireless microphones (34-40mm diameter). Colour: Blackelastic3/8" + 5/8" thread

4,90 €*

Immediately available or ready for collection

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Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.