Fluid Audio FPX7 Studiomonitor

499,00 EUR*

*Prices incl. VAT plus shipping costs

Immediately available or ready for collection

Product number: FL-AUDIO-FPX7

Product information "Fluid Audio FPX7 Studiomonitor"

Fluid Audio FPX7

Active studio monitor

7" composite cone, low-frequency driver

Air motion transformer (ribbon) tweeter provides an extremely fast and accurate response

Bi-amplified 140Watt Class A/B amplification (90w woofer/50w AMT tweeter)

Acoustic Space Control lets you calibrate the FPX7 to your mixing environment ( 0, -2, -4db )

Tweeter high frequency trim control ( +2, 0, -2db )

Fader Volume control on front baffle for easy access

Front loaded slot port for directional bass response

Amplifier standby function to conserve energy

Frequency response: 42 Hz - 27 kHz

Crossover frequency: 3.5 kHz

Amplifier power: 140 watts RMS

Signal-to-noise: > 100 dB (typical A-weighted)

Polarity: Positive signal at + input produces outward LF one displacement

Input impedance: 20 k ohms balanced, 10 k ohms unbalanced Input sensitivity: 85 mV pink noise input produces 95dBA output SPL @ one meter with volume control at maximum

Protection: RF interference, output current limiting

over temperature

turn-on/off transient and subsonic filter

Cabinet: Vinyl-laminated MDF

Size (single monitor): 256 x 174 x 193 mm (HxWxD)

Weight (single monitor): 7.5kg

Manufacturer "Fluid Audio"

Kevin Zuccaro, the founder of Fluid Audio, has a rich history in speaker design.

A loudspeaker engineer, musician, and recording enthusiast, he began his career at JBL in 1990. Cerwin-Vega and then moved to M-Audio where he played a very crucial role not only in Product Managing the category,

but developing their studio monitor line. Zuccaro was in charge of the entire monitor and microphone division

at Avid before he established Fluid Audio in 2010.

Experience designing transducers, hi-fi systems, and cinema projects earlier in his career gave him a

well-rounded approach to speaker design. Having a passion for music (making and appreciating it)

Zuccaro has always been one to believe that “technology and engineering should serve the Art”, meaning

that that the ultimate goal is a great listening experience - not using technology for technology’s sake.

This also dovetails with his general “less is more” approach and where cost can be saved, this only makes

Fluid products more accessible to the everyday musician (something he can relate to). Never one to subscribe to the “flat on-axis response uber-alles” credo, Zuccaro realized early on that while a flat response

is very important, just as important is getting the phase properly aligned between high frequency and low frequency in the crossover. This creates optimum imaging (the depth of field) and also minimizes coloration.

This is what makes speakers (and monitors specifically) compelling to listen to and more realistic to mix audio on. While there are always compromises in Engineering anything, Zuccaro stresses that making the “right compromises” is the key.

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