Microphones


Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.

TOPSELLER



Topseller

SENNHEISER MZH 3040
Sennheiser MZH 3040 400mm gooseneckwith XLR connector for ME 34, 35 & 36 microphone heads. Colour: Black

€137.50*

delivery time 14 days
Sennheiser MZW4 windscreen for HSP4
suitable for HSP4beige

€8.25*

Immediately available or ready for collection
AKG vocal microphone supercardioid D5
Dynamic vocal microphone AKG D5 without on/off switch, supercardioid, black housingFrequency response:70 - 20.000 Hz, 156 dB SPL max., Impedance: 600 OhmLaminated varimotion diaphragmShock mounted capsule for low noise, incl. bag and clamp Weight: 340 g

€80.00*

delivery time 14 days
Sennheiser EW 112 G4 B-Band Camara lavalier Mic Set 626 - 668 MHz
Consists of SK 100 G4 bodypack transmitter, EK 100 G4 pocket receiver and ME 2 condenser lavalier microphoneFrequency range: B-band (606 - 668 MHz)Polar pattern: Omnidirectional42 MHz switching bandwidth20 Channel banks each with up to 12 presetsUp to 20 compatible channelsFrequency range: 25 - 18.000 HzFrequency transmission via infrared interfaceBodypack transmitter and pocket receiver with charging contact for optional BA 2015 (NiMH) rechargeable battery (not included)Pilot toneAutotune for finding free frequenciesAudio Gain includes 60 dB4-Digit battery indicator on the transmitter and receiverHDX companderLCD display with NF level and channel display30 mW transmission powerIncludes CL100 cable, CL 1 cable and CA 2 flash unit adapter

€540.83*

delivery time 14 days
Sennheiser EW 135 G4 E-Band Camara handheld Mic Set 823 - 865 MHz
Consists of a SKM 100 G4 handheld transmitter, dynamic E835 changeable capsule, and an EK 100 G4 pocket receiverFrequency range: E-band (823 - 865 MHz)Directional characteristic: cardioid42 MHz Switching bandwidth20 Channel banks with up to 12 presets eachUp to 20 compatible channelsAudio transmission range: 25 - 18,000 HzFrequency transmission via infrared interfaceHandheld transmitter and pocket receiver with charging terminal for optional BA 2015 (NiMH) battery (not included, must be ordered separately)Pilot toneAutomatic frequency scan feature locates available frequenciesAudio gain: 60 dB4-Digit battery indicator on the transmitter and receiverHDX companderLCD display with AF / RF level and channel displayTransmission power: 30 mWIncludes a CL100 cable, CL 1 cable, and a CA 2 flash unit adapter

€540.83*

delivery time 14 days
AKG microphoneset for drum ((4xP4, 2xP17, 1xP2)
AKG Drum Set Session Ifor stage applications, rehearsal rooms and home recordingThe Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminum carrying case, it provides all the essentials needed to capture a complete drum set. It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities. The set contains:1 x P2 bass drum microphone2 x P17* for overheads4 x P4 for toms and snare*The P17 is technically identical to the P170 and is not available as a single unit

€315.83*

Immediately available or ready for collection
Rode DeadCat VMP Furry Windshield for Videomic pro
The DeadCat VMP is a fur windscreen for using the VideoMic Pro in windy locations. The synthetic fur fabric is designed in such a way that it does not exert any acoustic influence, but still effectively absorbs wind noise.

€35.00*

Immediately available or ready for collection
Sennheiser E914 Cardioid Condenser Microphone
Condenser microphonePerfect for ambitious (live) sound recordingsExcellent dynamics and lively sound for a wide range of instrumentsProcesses very high sound pressure levelsThree-stage switchable bass roll-off / cut-offThree-stage switchable pre-attenuationConnector: XLR-3 pin.Transducer principle: permanently polarized condenser microphoneAudio transmission range: 20 - 20000 HzAttenuation: 0, -10, -20 dBPolar Pattern: CardioidNominal impedance: 100 OhmMin. terminating impedance: 1000 OhmPhantom power: 48 V / 2.2 mASelf Noise: 19dB (A weighted) Max. Sound pressure level: - 137, 147 (with activated -10 db attenuation), 157 (with activated -20 db attenuation) dbMeasurements: Ø 24 x 157 mmWeight: 198 g

€315.83*

delivery time 14 days
Shure GLXD24+ digital radio system with SM58 vocal microphone
The new GLXD24+/SM58 dual-band vocal system features the industry-leading SM58® vocal microphone and delivers exceptionally transparent digital audio quality.Ready to use. Intuitive. every timeThe new GLXD24+/SM58 dual-band vocal system features the industry-leading SM58® vocal microphone and delivers exceptionally transparent digital audio quality. The combination of automatic frequency management with the new dual-band technology ensures reliable and constant performance, while the Shure lithium-ion batteries offer a runtime of up to 12 hours. Wireless without complications.Supplied1 PS43 power supply1 SB904 lithium-ion battery1 microphone clamp1 black transport bagDual band: 2.4GHz and 5.8GHzwith SM58 vocal microphone (GLXD2+ handheld transmitter) and GLXD4+ receiverup to 8 systems simultaneously (16 with Frequency Manager)automatic frequency setupDisplay of the battery life in hours and minutesintegrated battery charging slotDynamic SM58 microphone capsule with a frequency range of 50 - 15,000 Hz and cardioid polar patternOutputs: XLR and 6.3 mm jackhigh-resolution LC displayup to 12 hours of battery lifeup to 60 meters rangefixed antennas at the frontPlastic receiverReceiver dimensions (W x D x H): 182 x 122 x 40 mmDimensions transmitter (Ø x H): 51 x 246 mmTotal weight: 0.95kgIncludes Shure lithium-ion battery and battery charger

€565.83*

Immediately available or ready for collection
Neumann KK 204 BLK microphone capsule condenser, cardioid, black
Neumann condenser microphone module for SKM 500 G4 / 2000/6000/9000,Polar pattern: Cardioidblackvery low transmission of handle and plop noises

€790.83*

delivery time 14 days
Hanging module for AKG CK31, CK32, CK33, CK47, CK80
Hanging module with screw threadsuitabe to 5 different capsule modules (CK31, CK32, CK33, CK47, CK80)switchable LEDswitchable bassfiltersemi-anechoic anthracite grey surface10 m torsion-free cableXLR plug

€165.83*

delivery time 14 days
LH-050 Phantom Power Adapter
LH-050 Phantom Power AdapterPhantom power for microphones+48 V phantom power for condenser or electret microphones Ideal accessory for mixers without phantom power1 microphone input, XLR (bal.)1 line output, XLR (bal.)Operation via supplied power unitRugged gray metal housingPower supply: 18 V AC Phantom power output: 48 V DC, ±2 V DC Input impedance: 600 ohms Output impedance: 600 ohms Frequency range: 10 Hz - 25 kHz S/N ratio: >95 dB Dimensions: 74 x 45 x 130 mm Weight: 500 g

€52.50*

Immediately available or ready for collection
Sennheiser E 602-II dynamic instrument microphone
Sennheiser E 602 II dynamic instrument microphone, cardioid, large diaphragm, 20.....16000 Hz., 350 Ohms, aluminium housing, stand adapter, incl. bag, especially for bass drum, Brass, Contrabass., Note: less weight and better sound than the Sennheiser E 602

€124.17*

Immediately available or ready for collection
Neumann EA 2124 A mt elastic shock mount for KMR-81i-MT
For microphones with a diameter of 21 to 24 mmSwiveling threaded connection 5/8"-27 speedIncl. adapter for connection to 1/2" and 3/8" threads

€165.83*

Immediately available or ready for collection
Sennheiser MKS 4, shockmount holder
Sennheiser MKS 4shockmount holder for MK 4 large diaphragm microphone

€82.50*

delivery time 14 days
Connection cablel 3 m, 2 x Mini XLR female
Connection cable 3 m, 2 x Mini XLR female for AKG C516ML, C518M, C519M and C519MLalso suitable for für AKG pocket transmitter PT40/45/420/470/4500 and DPT800/700

€26.67*

delivery time 14 days
Shure GLXD14+ digital radio system with bodypack transmitter
Digital wireless bodypack systemDigital wireless bodypack system consisting of receiver, bodypack transmitter and guitar cableDual frequency operation (2.4 GHz and 5.8 GHz)Detachable antennasVery similar looks and features to the previous GLX-D versionBodypack compatible with TAF4F Shure microphonesUp to 12 hours of battery lifeThe Shure GLXD14+E-Z4 digital wireless bodypack system consists of a receiver, bodypack transmitter and guitar cable. The system from Shure's latest GLX-D+ series is the perfect solution for musicians and presenters who want to work wirelessly without sacrificing complexity. Every aspect of operations is managed automatically and with total reliability, allowing you to focus on your performance.With new Dual Band Wireless Technology, the receiver can operate in both the 2.4 and 5.8 GHz bands, more than doubling the available bandwidth while intelligently avoiding interference. The included lithium-ion battery pack can be charged in a number of ways and offers fast charging with a runtime of up to 12 hours (improved over the previous GLX-D generation).The bodypack transmitter is compatible with any GLX-D+ dual band receiver as well as with TA4F Shure microphones.Technical specificationsRecipientDimensions without antennas: 182.8 x 121.97 x 40.3 mmWeight: 0.310kgHousing material: plasticPower supply: 4.5V - 17V, 600mANoise rejection: >35 dB, typicalGain adjustment range: -20 to 40 dB in 1 dB stepsProtection against phantom power: yesConnection: 6.35mm jack, XLRpocket transmitterDimensions without antenna: 115 x 66.94 x 28.51 mmHousing material: cast metal, black powder-coatedWeight without battery: 153.1 gramsPower Supply: 3.7V Rechargeable Li-Ion BatteryConnection: TA4M

€515.83*

Immediately available or ready for collection
Shure wind screen grey for Beta 87A

€11.93*

delivery time 14 days
Shure UA505 UHF Antenna Remote Mouning Kit
Antenna distance mounting kit: mounting bracket + BNC adapter(Set for remote mounting of a Lambda 1/2 antenna)

€32.00*

delivery time 14 days
Rode WS-LAV Windscreen for Lavalier and smartLav+ (3 pcs)
Rode WS-LAV Windscreen for Lavalier and smartLav+ (3 pcs)

€12.67*

Immediately available or ready for collection

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Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.