BOSS OS-2 OverDrive Distortion effect pedal, distortion

BRINGING THE ‘ORANGE SOUND’ TO THE REHEARSAL ROOMYou wouldn’t compromise your bass sound with the band, so why should practising at home be any different? Whilst the Crush Bass 25 may be the smallest model in the Crush Bass amp range, it still retains the warm and rounded tonal character that makes Orange Amps the choice of some of the world’s most iconic bass players.This 25 Watt combo features an all-analogue signal path, a ported cabinet for improved low end response plus a highly responsive active EQ section. Like the rest of the Crush Bass range, the amp’s variable parametric mid band allows for unlimited control over a broad range of frequencies in addition to the bass and treble. Dial in a massive range of classic bass tones or create your own. With an integrated tuner, an aux. input for backing tracks and a headphone output with our CabSim circuitry, the Crush Bass 25 gives all players the perfect miniature rig on which to hone their tone.POWERFUL ACTIVE PARAMETRIC EQThe Crush Bass 25 features an EQ circuit inspired by our prestigious 4 Stroke Series amplifiers. At its centre is a parametric mid band. This presents players with a much greater degree of control over the sound than a traditional EQ, allowing them to vary the frequencies they want hear. The mid band covers a wide range, sweeping from 300Hz (fully counter-clockwise) to 2.7kHz (fully clockwise), meaning this amp can be fine tuned to suit any musical style. The active circuitry allows for up to 15dB of boost or cut on the bass and middle frequencies, and up to 20dB on the treble side.ANALOGUE DESIGN & PORTED CABINETThe Crush Bass series delivers a fat, rounded sound thanks to an all-analogue signal path. The Crush Bass 25 houses a 8" speaker with a reflex port for improved low-end response.CABSIM HEADPHONE OUTPUT, AUX INPUT & CHROMATIC TUNERThe headphone output features our Cabsim circuitry which emulates the response of our stage-ready OBC bass speaker cabinets during silent practice. This signal can also be sent to a console for seriously authentic direct recording. The Aux. Input allows for connecting external audio sources for backing tracks whilst the handy onboard tuner makes for quick tune-ups between jams.Features: ACTIVE 3 BAND EQ, PARAMETRIC MID CONTROL, CHROMATIC TUNER, CABSIM-LOADED HEADPHONE OUTPUT & AUX INCONTROLS (RIGHT TO LEFT): -6DB PAD SWITCH, BASS, FREQUENCY, MIDDLE, TREBLE, VOLUME(BELOW) INTEGRATED CHROMATIC TUNEROUTPUT POWER: 25 WATTSSPEAKER: 8"UNBOXED DIMENSIONS (W X H X D): 32.5 × 36.5 × 23.5CM (12.8 × 14.37 × 9.25")UNBOXED WEIGHT: 8.3KG (18.26LB)

Evans 16" Tom head (Clear)Head diameter: 16"Head strengh: each 0,178 mmCan be used as impact head as well as resoncance head.Because of its 2 layers it has this special crispy "attack".This tom head also can be used as snare head (Coated version).Delivery without drum

Following in the footsteps of the titans, the KORG NAUTILUS uses the legendary nine sound engines of the KORG KRONOS and offers a completely new and very clear operating concept. The simple and elegant design of the synthesizer workstation guarantees an excellent overview of all areas, quick access to excellent sounds and flexible functions with maximum ease of use. In contrast to the standard model, the NAUTILUS AT is equipped with an additional aftertouch function that allows lively modulations to be added to played sounds by applying renewed pressure on the keys. To support this particularly expressive style of playing, all of the NAUTILUS AT's sound programs have been optimized for its aftertouch functionality, allowing the full potential of its nine powerful sound engines to unfold. The sounds of the Japanese-made synthesizer are divided into three important categories and give the instrument a distinctive character with standard, current and unique sounds. The latest generation of processors gets far more out of the nine advanced sound engines than was ever possible before. The SGX-2 piano sound engine known from the KRONOS has been expanded in the NAUTILUS with additional grand piano sounds and, in addition to the desired setting of string resonances and a gradation in 12 different velocity levels, also offers the option of changing the hall acoustics of the respective instrument. The SGX-2 and all other sound engines, such as the EP-1 Electric Piano Engine, the CX-3 Drawbar Engine, the HD-1 PCM Engine, the MS-20EX Analog Modeling Engine, the PolysixEX Modeling engine, the AL-1 analog modeling engine, the MOD-7 VPM/FM sound engine and the STR-1 physical modeling engine as well as all associated parameters can be controlled via the 7" TouchView display with 800 x 480 pixel resolution or can be easily configured using the retractable rotary controls in the control panel. If you need help locating the corresponding sound in the instrument, the search and preview function makes it easier to browse through all the sounds, which are based on over 1,770 multisamples. Your favorite sounds and combinations that you often use can be saved in a favorites list using asterisks. This means you can have your favorite sounds at hand in a flash. The NAUTILUS also offers six freely programmable quick access buttons that can lead directly to specific menus or functions. Four predefined settings and four user assignments are available here. A polyphonic arpeggiator with over 1,500 presets, a drum track with over 1,200 patterns and a step sequencer are available in every mode and, combined with the new sounds, enhance your performances in a contemporary way. All settings can be perfectly configured for live use, saved and recalled later in set list mode. An indispensable function in live operations. The total of 16 effects processors and the 3-band EQ for each individual track are also easy to access thanks to the new operating concept. The expressivity of a sound can also be perfectly adapted to the respective requirements using the separate dynamics control in the control panel. In this way, sounds can be played either very dynamically and elegantly or powerfully with less dynamic range in order to be more assertive. The instrument also comes with a download code for an extensive and free additional software offering. The KORG Software Bundle includes, among other things, the Ozone Elements software from iZotope, a trial subscription to the online piano school Skoove and software synthesizers from KORG and other manufacturers. 9 specialized sound engines for different sound categories 61 lightly weighted premium keys with touch response and aftertouch Modern operating concept with mode and quick access buttons 7" TouchView display (800 x 480 pixels) with dark mode Real-time controller (retractable) for sound editing Polyphonic arpeggiator, drum track and step sequencer (4 scenes each) Set List - Mode for perfect live performancesSearch and preview function for sounds and combinations Favorite sound function for setting favorite sounds 3-band EQ for each individual track (Midi and audio) Smooth Sound Transition - prevents dropouts when changing sounds Dynamics controls for expressive sound settings Sampling function for creating your own sounds 16-track audio recording (24bit, 48kHz) 16 effects processors, 2 master effects paths and 2 total effects USB type A for midi controller and keyboard connection USB Type B for USB Midi and audio Dimensions (W x D x H): 1,062 mm x 386 mm x 116 mm Weight: 13.0kg Free software bundle Made in Japan

Cable length: 0.9 m Color: Black Plug A: 1 x RCA (M) Plug B: 1 x 3-pole XLR (M)

Grand Concert Select Thick Blank reeds are filed and feature a traditional tip and tihcker spine, enabling quick response.They have a thicker blank. Thicker blanks are made from cane further away from the bark, resulting in added tonal warmthStrength: 3,5

24352 Adapter panel 1 - whiteUniversal Mounting Bracket vertical, large with the following mounting templates: 69,9 x 127 mm - M8 50,8 x 107,9 mm - M6 62 x 47 mm - M6 70 to 76,2 mm - M6