Fluid Audio SRI-2

€213.75*

*Prices incl. VAT plus shipping costs

delivery time 14 days

Product number: FL-AUDIO-SRI2

Product information "Fluid Audio SRI-2 "

- 24 Bit / 192 kHz 2 x 2 USB 2.0 audio interface

- 2 Class A microphone preamps with +48 V phantom power

- High-quality ergonomic metal housing

- Massive aluminium volume control

- Illuminated buttons

- 2 XLR / TRS inputs for line / mic / instrument signals

- 4x 6.3 mm TRS outputs for 2 monitor pairs with A / B button

- 6.3 mm Headphone output with separate volume control

- Power supply via USB

- External power supply via micro USB

Dimensions (W x D x H): 202 x 154 x 52 mm

Weight: 1.0 kg

Includes Steinberg Cubase LE for Mac and PC as well as Cubasis LE Music for iOS

Manufacturer "Fluid Audio"

Kevin Zuccaro, the founder of Fluid Audio, has a rich history in speaker design.

A loudspeaker engineer, musician, and recording enthusiast, he began his career at JBL in 1990. Cerwin-Vega and then moved to M-Audio where he played a very crucial role not only in Product Managing the category,

but developing their studio monitor line. Zuccaro was in charge of the entire monitor and microphone division

at Avid before he established Fluid Audio in 2010.

Experience designing transducers, hi-fi systems, and cinema projects earlier in his career gave him a

well-rounded approach to speaker design. Having a passion for music (making and appreciating it)

Zuccaro has always been one to believe that “technology and engineering should serve the Art”, meaning

that that the ultimate goal is a great listening experience - not using technology for technology’s sake.

This also dovetails with his general “less is more” approach and where cost can be saved, this only makes

Fluid products more accessible to the everyday musician (something he can relate to). Never one to subscribe to the “flat on-axis response uber-alles” credo, Zuccaro realized early on that while a flat response

is very important, just as important is getting the phase properly aligned between high frequency and low frequency in the crossover. This creates optimum imaging (the depth of field) and also minimizes coloration.

This is what makes speakers (and monitors specifically) compelling to listen to and more realistic to mix audio on. While there are always compromises in Engineering anything, Zuccaro stresses that making the “right compromises” is the key.

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