Voigt Brass practice mute for flugelhorn Wallace Practice

Vandoren White Master 3 Reed for German Bb Clarinet thickness 3For more closed tip openings and / or shorter paths

Mini Maestro presents very easy to medium difficulty, small piano pieces from 5 centuries in chronological order from baroque, classical, romantic, modern to jazz, pop and minimal music. The volumes build on each other and the level of difficulty increases. At the end of each volume - under the motto More fun for two - there are three four-hand bonus pieces. All pieces are easy to learn and offer a diverse repertoire as an ideal addition to any piano school, suitable for concerts, lessons, exams and competitions. Volume 2 contains pieces with an extended range of two octaves and three- to four-part chord playing with inversions. Further criteria include pedal playing, elementary ornamentation, simple polyphony, differentiation of melody and accompaniment and major/minor pieces up to two sharp/b-flat accidentals.Contents:John Blow (1649-1708): AirJohann Krieger (1651-1735): Menuett a-MollChristian Petzold (1677-1733): Menuett G-Dur, BWV Anh. 114, Menuett g-Moll, BWV Anh. 115Johann Sebastian Bach (1685-1750): Aria d-Moll, BWV 515, Praeludium C-Dur, BWV 939Georg Friedrich Händel (1685-1759): Gavotte C-Dur, Passepied C-Dur, HWV 559Joseph Haydn (1732-1809): Deutscher Tanz D-Dur, Hob. IX:22/2, Menuett F-Dur, Hob. IX:8/12Wolfgang Amadeus Mozart (1756-1791): Menuett F-Dur, KV 2, Allegro B-Dur, KV 3Ludwig van Beethoven (1770-1827): Deutscher Tanz C-Dur, WoO 8/1, Ecossaise G-Dur, WoO 23Anton Diabelli (1781-1858): Tempo di Menuetto, Op. 125/8, Vivace, Op. 125/7Friedrich Kuhlau (1786-1832): Zwei schottische Tänze Nr. 2, Nr. 5Carl Maria von Weber (1786-1826): Allemande, Op. 4/2Maria Szymanowska (1789-1831): MazurkaIgnaz Moscheles (1794-1870): Scherzo, Op. 55/3Robert Schumann (1810-1856): Stückchen, Op. 68/5Félix Le Couppey (1811-1887): Arabische MelodieCornelius Gurlitt (1820-1901): Klavierstück, Op. 179/22, Gavotte, Op. 210/9Carl Reinecke (1824-1910): Lied, Serenade 1, Op. 183Eduard Horák (1838-1893): ScherzinoOskar Bolck (1839-1888): Sonatine C-Dur, Op. 30/4, Allegro, Andante, Rondino: VivaceFrederick Scotson Clark (1840-1883): TarantellaPeter Iljitsch Tschaikowsky (1840-1893): Die kranke Puppe, Op. 39/6Alexander Gretchaninoff (1864-1956): Ein kleines Tänzchen, Op. 98/10, Nach dem Balle, Op. 98/13Samuil Maikapar (1867-1938): Walzer, Op. 28/5Béla Bartók (1881-1945): Spiel, Wehmut, WalzerCarl Orff (1895-1982): Klavier-Übung No. 20John Kember (*1935): Simply BlueLoris Tjeknavorian (*1937): Lustige UnterhaltungGeorge Nevada (1939-2014): Wenn Paris träumtJürgen Moser (*1949): Feelin’ GroovyRainer Mohrs (*1953): A Song of HopeHans-Günter Heumann (*1955): Cool Jazz Cats, Magic Piano, Regenbogen-Fee, Modern Sonatina: 1 À la Clementi, 2 Pop Ballad, 3 Boogie-WoogieDrei vierhändige Bonusstücke:Anton Diabelli (1781-1858): Scherzo, Op. 149/6Franz Schubert (1797-1828): Ländler, D 366/5Mike Schoenmehl (*1957): Fips in the Park

Vandoren Reeds Java redAlto Saxophone Intensity: 1,5

Fender Squier Contemporary Stratocaster HH FR Roasted Maple Neck RMN Black Pickguard BP Sky Burst Metallic SBMNeck Fretboard: Roasted Maple Fretboard radius: 12 "(305 mm) Headstock: Black with Chrome Logo Neck Construction: Bolt-On Neck surface: Satin Urethane with Gloss Urethane Headstock Face Neck shape: "C" shape Number of Frets: 22 Saddle material: graphite Nut width: 1,650 "(42 mm) Position insert: Black DotSide dotsString nut: graphite Truss rod: Head Adjust hardware Bridge: 2-Point Synchronized Tremolo with Block Saddles Controls: White Plastic Hardware sound: Black Neck Plate: 4-Bolt Squier® Asymmetrical Pickguard: 3-Ply Black Pickup CoversWhite Belt buttons: standard String Trees: Dual-Wing Strings: Nickel Plated Steel (.009-.042 Gauges) Switch tip: WhiteTuning Machines: Sealed Die-Cast with Split Shafts electronics Bridge Pickup: Squier® SQR ™ Alnico Single-Coil Controls: Master Volume, Master Tone Middle pickup: Squier® SQR ™ Alnico single-coil Neck Pickup: Squier® SQR ™ Alnico Single-Coil Pickup configuration: SSS Switching: 5-Position Blade, Special Switching: Position 1. Bridge and Middle (Series, Hum-Canceling), 2. Middle, 3. Middle and Neck (Parallel), 4. Bridge, Middle and Neck, 5. Neck

Lightweight and portable 100 watt head guitar amplifier with powerful, ready-to-play sound IIntegrated 5'' monitor speaker for practicing without an external speaker box Tube Logic design approach with performance, impact and presence unparalleled in this class Five unique amp characters (Clean, Crunch, Lead, Brown, Acoustic) with new sound variations per type Five independent effect sections (Booster, Mod, FX, Delay, Reverb) with three selectable variations each Dedicated Pedal FX input for wah and pedal bend effects via an external foot pedal Redesigned BOSS Tone Studio software for custom sound editing with more than 60 BOSS effects, channel and master EQs, customizable signal routing and more Power amplifier input for preamplifiers, modeling amplifiers and multi-effects devices Stereo expand-out for connection to a second Katana MkII (all models except Katana-50MkII) Eight tone setting memory locations for saving and recalling all amplifier and effect settings Power control for overdriven amplifier sounds and dynamic response at low volumes Three cabinet resonance types (Vintage, Modern, Deep), selectable via the BOSS Tone Studio Microphoned speaker cabinet emulations on the line, USB and phones/recording outputs with five Air Feel tone settings, available via BOSS Tone StudioConnections for up to two footswitches or an expression pedal as well as MIDI input for tone setting selection and switching effects on/off via a MIDI footswitch Effect loop with selectable serial/parallel arrangement and adjustable gain via the BOSS Tone Studio