Format: A4
Pages: 160
Africa, Brazil, Cuba, Kpanlogo, samba, salsa: Percussion music exerts a virtually magical stimulus on Europeans because of the exotic origin, her air of vacation, sun and caribbean but primarily because of the nearly unbelievable rhythm feeling of African, Brazilian or Cuban musicians. Set the book of Andreas Kohlmann exactly here. The Africa chapter completely concentrates on the Congo: At the example of an exemplarily select rhythm the special game techniques and Patterns are introduced to the Kpanlogo and his various variations. The Brazil part devotes itself to the samba and the instruments used at a samba Batucada: Surdo, Ganza, Repenique, Tamborim and Agogo. It still enters a Conga special to this: Samba rhythms for Conga! The Cuba chapter introduces rhythms to the special Conga game techniques for afro-cubanische. The salsa and the instruments typical of it are in the center: Timbale, bongos, Maracas, Guiro etc. With extra chapter to percussion in the band and a special rhythm course.
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