Microphones


Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.

Topseller

New
Sennheiser EW-D AB (Y) Antenna Booster
EW-D AB (Y)Antenna Booster for use with Evolution Wireless Digital systemsFrequency Range: 1785,2 - 1799,8 MHz

€199.00*

delivery time 14 days
New
Sennheiser Halfwave Dipole Antenna (Y)
Sennheiser half-wave dipole antenna (Y) for EW-D EM receivers Frequency range: Y (1785 - 1805MHz) Connection: BNC

€29.00*

Immediately available or ready for collection
New
Microphone T-Bar for 4 Microphones
Microphone T-Bar for 4 microphonesHeight: 45mm Width: 250mm Length: 30mm Material: metal Weight: 0.3kg

€14.90*

Immediately available or ready for collection
New
sE Electronics V7 Black dynamics microphone
DynamicPolar pattern: SupercardioidIntegrated pop filterRobust microphone grille from spring steelIntegrated shock mountGold XLR connectorFrequency range: 40 - 19,000 HzOutput impedance: 300 OhmSensitivity: 2.0 mV / Pa (-54 dB)Dimensions: 54 x 184 mmWeight: 305 gIncl. microphone clamp, integrated windscreen (black), carrying pouch and threaded adapter

€98.00*

delivery time 14 days
New
Sennheiser antennacable GZL RG 58 - 0,5M
for connecting remote antennasultra low resistanceImpedance: 50 ohmsLength: 0,5mColor: Black

€27.00*

Immediately available or ready for collection
Shure PGA 5 Dynamic instrument microphone
Shure PGA57-XLR Dynamic instrument microphone Pickup pattern: cardioid Transmission range: 70 to 15,000 Hz Contoured frequency response ensures powerful sound reproduction Output Impedance: 150 ohms Sensitivity: -56.5dBV/Pa (1.5mV) Black, unobtrusive metal finish Microphone clamp for mounting on microphone stands Transport bag is included and provides additional protection during transport and storage Legendary Shure quality for first-class performance even in demanding environments Incl. 4.5m XLR cable Weight: 280 g The Shure PGA57-XLR combines excellent sound with a robust design and was specially developed for amplified and acoustic instruments as well as for drums. The PGA57 microphone is used both live and in the studio. The microphone comes with a microphone clamp, a transport bag and a 4.5m XLR cable

€69.00*

Immediately available or ready for collection
Sennheiser L2015 Charging station
Dimensions: 145 x 80 x 110 mmWeight: 310 gCharging time: ca. 2,5 hOperating temperature: 0 à 40 °CPower supply: 2 x 700 mACurrent consumption: 400 - 750 mAInput voltage range: 10 - 20 V DCOutput voltage: 2 x 2,9 VCells: NiMH, 2 x 1,2V (BA 2015)

€159.00*

delivery time 14 days
Sennheiser NT 3-1-EU Powersupply for L2015
Plug-in mains unit with country-specific adapter for antenna combiner AC 3 and charger L 2015

€125.00*

delivery time 14 days
Cable for Sennheiser HSP 2 with Lemo connector
OFC copper cable with 3-pin lockable Lemo connector, beige suitable for: HSP 2, HSP 4, HSP 2-ew, HSP 4-ew, HSP 2-5, HSP 4-5, HSP 2-5-M, HSP 2-ew-M, HSP 2-M, HSP 4-5-M, HSP 4-ew-M, HSP 4-M.

€109.00*

delivery time 14 days
Clip for Sennheiser HSP 2 SET 5 pcs
Clip set, beige (5 pairs) suitable for: HSP 2-3, HSP 2-3-5, HSP 2-ew-3, HSP 2-3-5-M, HSP 2-3-M, HSP 2-ew -3-M.

€15.90*

delivery time 14 days
SHURE CVL Centraverse Lavalier Condenser Microphone
Precision-engineered for years of use in any Shure wireless systems, its compact size is ideal for presenting situations where visibility is a major concern. The unidirectional (cardioid) pickup pattern rejects unwanted sound for superior source quality and vocal reproduction.The Centraverse Lavalier (CVL) offers convenience and performance in an easy-to-use clip-on cardioid condenser microphone that features simple, no-nonsense setup made for presenting professionals.FEATURESMiniature clip-on lavalier microphone for low visibilityPermanently charged electret condenser element for clear vocal reproductionUnidirectional (cardioid) polar pattern rejects unwanted noise for improved sound qualityIncluded tie clip allows for hands-free use, perfect for presentersIncluded windscreen reduces plosives, wind and breath soundsTailored frequency response optimized for speaking and presentationsTA4F (TQG) connector seamlessly integrates with Shure wireless bodypack systemsLegendary Shure precision engineering for durability and performanceVALUEWeight (g) / (lbs): 25 g / 0.055 lbsTransducer Type: CondenserPolar Pattern: CardioidFrequency Range From (Hz): 60Frequency Range To (kHz): 12Sensitivity dBV/Pa: -43.50Sensitivity mvpa: 6.60Equivalent Selfnoise: 22 dB(A)Maximum Sound Pressure: 139 dBImpedance (O): 600Switchable Low Cut: noOutput Connectors: TQG (TA4F, 4-Pin Mini)Attenuation PAD: noInterchangeable Capsule: noRequires Phantom Power (VDC): +5v DC, 10v MaxCable: 1.3 m / 50 in

€74.00*

Immediately available or ready for collection
SHURE WL185 wireless cardioid lavalier condenser microphone
For professional presentations in noisy environmentsThe WL185 is a professional lavalier microphone for presentation and other speech applications. The cardioid characteristic suppresses background noise and reduces feedback. This makes the WL185 predestined for loud environments or when used with stage monitors.positioningThe cardioid polar pattern requires the microphone to be well aligned to get the best sound. To make this easier, the integrated tie clip can be rotated in 90 degree increments.Changing the cardioid characteristicsThe polar pattern can be changed to supercardioid (R184B) or omnidirectional (R183B) by replacing the capsule.What is the difference to the MX185The WL185 is the same microphone as the MX185. The difference is the scope of delivery. The MX185 comes with a preamplifier for wired use. The WL185 can only be used wirelessly.WL185 for use with radio systems.MX185 including preamp, for wired use.FEATURESInterchangeable microphone capsules offer the optimal choice for every applicationWide dynamic range and frequency response for accurate sound reproduction across the entire sound spectrumRotating tie clip that rotates in 90° intervals for flexible attachmentSupplied snap-lock foam windscreen that suppresses breath noise and snaps securely into placeBalanced, transformerless output for increased noise immunity over long cable runsIncluded double tie clips hold two microphones for double recording proceduresWORTHWeight (g) / (lbs): 28g / 0.062lbsConverter Type: CondenserPolar pattern: cardioidFrequency range from (Hz): 50Frequency Response to (kHz): 17Sensitivity DBVPA: -35.00Sensitivity MVPA: 5.95Equivalent self-noise: 28 dB(A)Maximum sound pressure: 130.5 dBImpedance (O): 1800Switchable low cut: noOutputs (connectors): TQG (TA4F, 4-pin mini)Attenuator: noReplaceable capsule: yesRequires phantom power: +5 Vdc

€183.00*

Immediately available or ready for collection
sE Electronics 2300 Large Diaphragm Studio Microphone
The sE2300 is the latest version of the popular studio microphone that has quickly earned sE Electronics a high reputation thanks to its outstanding sound characteristics. Its smooth yet present sound is ideal for vocal and speech recordings or miking instruments. The gold-coated large diaphragm capsule in "real" condenser technology is responsible for the balanced, nuanced sound.The combination of the handmade capsule, the proven electronics in class A circuitry and the output transformer specially made for the sE2300 ensure first-class sound quality and that "certain something". The carefully selected components and the revised electronics design deliberately dispense with integrated circuits (ICs).The switchable pre-attenuation filters enable a high dynamic range and guarantee clean processing of very high sound pressure levels. The switchable high-pass filter suppresses low-frequency noise and compensates for the proximity effect.High reliability, even in demanding stage use, is guaranteed by the robust metal construction and the high production standards.The sE2300 has a switch for selecting the pre-attenuation filter, the high-pass filter and the polar pattern.pre-attenuation filterThe pre-attenuation filter switch is located on the left side of the microphone. When activated, it attenuates the signal by 10 or 20 dB to enable recording of loud instruments or near-field microphones without distortion. This also prevents clipping of input stages of audio interfaces, mixers and microphone preamps.high pass filterThe high pass filter switch is located on the right side of the microphone. Wind noise, pop, footsteps or rumble may affect the recording signal. By operating the switch, such interference signals and the resulting distortions are reduced. In the left position the filter starts at 80Hz, in the right one at 160Hz. In addition, the high-pass filter reduces the bass increase that occurs when the miking distances are small due to the proximity effect.polar patternThe switch for selecting the polar pattern is located in the middle of the rear of the microphone. It enables a precise selection of the directional characteristic (figure-of-eight, cardioid or omnidirectional) and thus enables a wide range of possible applications.Scope of delivery: sE2300 microphoneMicrophone spider with thread adapterpop filtersTechnical specificationsCapsule 1" condenser capsulePolar pattern figure eight, cardioid, omnidirectionalTransmission range 20 - 20,000 HzSensitivity 24 mV/Pa (-32.5 dBV)Max. SPL (0.5% THD) 126 / 136 / 146 dBSPL (0/10/20 dB attenuation filter)Equivalent noise level 9 dB(A)Dynamic range 117 / 127 / 137 dB (0/10/20 dB attenuation filter)Signal-to-noise ratio 85 dB(A)High-pass filter 80/160Hz, 6 dB/oct, switchableAttenuation filter 10 / 20 dB, switchablePower supply 48 volts according to IEC 61938Current consumption 4.8mAOutput impedance 40 ohmsRecommended load impedance >1k OhmsConnection 3-pin XLR connector maleDimensions Diameter: 51 mm (2.01 in.) Length 215 mm (8.46 in.)Weight 611 g (21.55 oz.)

€299.00*

Immediately available or ready for collection
Sennheiser Cap RD 14,8x8,2 beige
suitable for HSP2Replacement for MZC 2-2 beige

€11.90*

delivery time 14 days
Sennheiser EW-D 835-S S1-7-Band Vocal Set 606,2 - 662 MHz
Versatile and feature-rich digital wireless system for those who sing, speak or play instruments that allows for seamless product pairing and management via the EW-D Smart Assist App. Receive state-of-the-art live sound featuring Sennheiser‘s renowned e 835 capsule on a lightweight handheld transmitter with integrated mute switch.Digital transmission operating in the UHF spectrum greatly enhances range, reliability and scalabilitySmart Assist App connects via Bluetooth Low Energy for a streamlined setup and operation at a distanceAuto scan creates reliable connections with minimal time and effort134 dB audio input dynamic range eliminates need for sensitivity adjustments and preserves every detailElimination of intermodulation enables channels to be placed in an equidistant tuning grid 600 kHz apart56 MHz of tuning bandwidth and equidistant spacing enables up to 90 channels2,240 selectable frequencies allow for fine tuningLithium-Ion battery pack (sold separately) delivers up to 12 hours of operation (up to 8 hours of operation with 2x provided AA batteries)Raising the barEvolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own.Equidistant Spacing – simpler than it soundsEvolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count.An engineer in your pocketThe power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.SpecificationsFrequency range: 606,2 - 662 MHzTHD, total harmonic distortion: = -60 dB for 1 kHz @ -3 dBfs input levelOperating temperature: -10 °C - +55 °C (14 °F - 131 °F)Operating relative humidity: 5 - 95 % (non-condensing)Audio frequency response: 20 Hz - 20 kHz (-3 dB) @ 3 dBfsEW-D EMDimensions: 212 x 44 x 189 mmWeight: approx. 1000 g (without antennas and power supply)Current consumption: = 300 mAInput voltage range: 11 - 13 VAudio output level: 18 dBu max.Transmission power: BLE: max. 10 mW EIRPMMD 835Dimensions: 405 x 350 x 73 mmSound pressure level (SPL): 154 dBTransducer principle: dynamicWeight: 3.1 kgPick-up pattern: cardioidSensitivity: 2.1 mV/PaEW-D SKM-SWeight: approx. 304 g (incl. MMD 835 microphone module), approx. 195 g (without microphone module)Power supply: 2 AA batteries 1.5 V (alkaline manganese) or BA 70 rechargeable battery packCurrent consumption: < 300 mAInput voltage range: 2.0 - 4.35 VTransmission power: Audio link: 10 mW, ERP (Range Y1-3): 12 mW ERP, BLE: max. 10 mW EIRPDimensions: 50 x 268 mm (incl. MMD 835 microphone module), 40 x 200 mm (without microphone module)

€719.00*

delivery time 14 days
Sennheiser hand-held transmitter EW-D SK (Y1-3)
Digital transmission operating in the UHF spectrum greatly enhances range, reliability and scalabilitySmart Assist App connects via Bluetooth Low Energy for a streamlined setup and operation at a distanceAuto scan creates reliable connections with minimal time and effort134 dB audio input dynamic range eliminates need for sensitivity adjustments and preserves every detailElimination of intermodulation enables channels to be placed in an equidistant tuning grid 600 kHz apart56 MHz of tuning bandwidth and equidistant spacing enables up to 90 channels2,240 selectable frequencies allow for fine tuningLithium-Ion battery pack (sold separately) delivers up to 12 hours of operation (up to 8 hours of operation with 2x provided AA batteries)Dimensions: 63 x 80 x 20 mm (without antenna)THD, total harmonic distortion: = -60 dB for 1 kHz @ -3 dBfs input levelWeight: approx. 120 gOperating temperature: -10 °C - +55 °C (14 °F - 131 °F)Operating relative humidity: 5 - 95 % (non-condensing)Audio frequency response: 20 Hz - 20 kHz (-3 dB) @ 3 dBfsInput voltage range: 2.0 - 4.35 VCurrent consumption: < 300 mAPower supply: 2 AA batteries 1.5 V (alkaline manganese)or BA 70 rechargeable battery packTransmission power Audio link: 10 mWERP (Range Y1-3): 12 mW ERPBLE: max. 10 mW EIRP

€299.00*

delivery time 14 days
HT 470 D5 D hand-held ransmitter 863-865 MHz
Dynamic headFrequency: 863-865 MHz

€269.00*

delivery time 14 days
IBANEZ Wireless System for E-Guitar
The WS1 is one of the most compact digital wireless systems currently available for electric guitar and bass. This system features a built-in, button-activated "cable-tone mode" which is designed for use with passive pickups and emulates the tonal characteristics of a high-quality, 10 ft. guitar cable. Premium-grade electronic components are used in order to achieve professional-quality sound and a quietest-in-class noise floor. Beyond its superior digital audio quality, the system's streamlined operation allows players to seamlessly incorporate this unit into their rig without any complicated setups or steep learning curves.SPECIFICATIONSCategory: Wireless SystemsCountry of manufacture: China2.4GHz Broadcast24-bit/44.1kHz audio qualityExtremely low latency (

€149.00*

delivery time 14 days
Sennheiser antennacable GZL RG 58 - 1M
for connecting remote antennasultra low resistanceImpedance: 50 ohmsLength: 1mColor: Black

€32.00*

delivery time 14 days
KMS104 vocal microphone Neumann
CardioidFrequency range: 20 - 20.000 HzImpedance: 50 OhmMaximum level: 132 dB SPL max.48V phantom powerColour: Nickel-platedXLR connectorDimensions 48 x 180 mmWeight: 300 gDelivery incl. neoprene bag and microphone holder

€629.00*

delivery time 14 days

Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.