Microphones


Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.

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JTS Jack adapter 3,5 mm jack female / 6,3 mm Jack male mono

€8.57*

delivery time 14 days
AKG adhesive mat

€3.50*

delivery time 14 days
Neumann TLM49 Set diaphragm condenser microphone
large diaphragm condenser microphone with cardioid polar patternfrequency response: 20Hz-20kHz12dBA self noise129dB SPL (max)includes EA3 shock mount and cardboard boxColour: Nickel

€1,499.00*

delivery time 14 days
Austrian Audio OC707 Condenser Vocal Microphone
Austrian Audio OC707 condenser vocal microphone Directional characteristic: cardioid Frequency range: 35 Hz - 20 kHz Sensitivity: 10 mV / Pa Self-noise: 19 dB SPL (A) Sound pressure level limit: 150 dB Low cut filter: 120 Hz (2nd order) Impedance: 275 O (symmetrical) Load resistance:> 1 kO requires 48 V phantom power robust die-cast housing Including microphone holder and bag Dimensions: 194 x 53 x 53 mm Weight: 0.35kg

€469.00*

Immediately available or ready for collection
Rode MiniFur-Lav for Lavalier (3 Pcs.)
Watch out tooSennheiser MKE1

€15.90*

Immediately available or ready for collection
Sennheiser MZW441A windscreen for MD 441-U
Windscreen for Sennheiser MD 441-UColor: Anthracite

€37.00*

delivery time 14 days
Neumann KM 184 MT Stereo Set Condenser Microphone
Neumann KM184 MT Stereo Microphone Set 2 KM184 condenser small diaphragm microphones Pressure gradient receiver Successor to the KM 84 Directional characteristic: cardioid very even frequency response for all directions of sound incidence Transmission range: 20 - 20000 Hz Nominal impedance: 50 ohms Nominal load impedance: 1000 ohms max.output voltage: 2540 mV Weight: approx. 80 g Diameter: 22 mm Length: 107 mm Color: matt black Including 2x WNS 100 windscreen and 2x SG 21 tripod joints

€1,399.00*

delivery time 14 days
SENNHEISER MZS31
Shock mount for table installationsFlange diameter: 74 mmTotal length: 60 mmInstallation depth: 50 mmHole for installation: 51 mmColour: Black

€39.00*

delivery time 14 days
Rode SC2 TRS-Patch Cable for iPhone (3,5 mm)
Patch cable for connecting iPhone and digital single lens reflex camera (DSLR) Connections: mini jack stereo angled to mini jack stereo angled (2x TRS angled) Coiled cable Cable length variable from 17 - 40 cm Ergonomic jack connections High quality shielded Weight: 20 g

€11.80*

Immediately available or ready for collection
Sennheiser E 904 Dynamic Instrument microphone
Dynamic Tom MicrophoneEspecially for tom and snare recordingPolar pattern: cardioidFrequency range: 40 - 18,000 HzImpedance: 350 ORobust metal chassisIncl. special tom holderBag includedDimensions: 63 x 41 mmWeight: 125 g

€179.00*

Immediately available or ready for collection
Rode DeadCat Furry Windshield for NTG-1, NTG-2, VideoMic, VideoMic-RY

€35.00*

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Sennheiser EW-D ASA (Q-R-S) Active Antenna Splitter
Active Antenna Splitter for use with Evolution Wireless Digital systemsFrequency range: 470 - 694 MHzIncluded: 1x EW-D ASA Active Antenna Splitterscope of deliveryActive antenna splitter EW-D ASA (Dual 1:4)NT 12-35 CS power pack for EW-D ASA(8) BNC antenna connection cable

€628.00*

Immediately available or ready for collection
AKG WMS40 MINI Sport Set ISM2 864.375 MHz
AKG WMS 40 Sport Set ISM2 864.375 MHzSet of pocket transmitter, receiver and headset microphone30 hours running time with only one AA batteryIncl. power supply and batteryAvailable in three frequencesPocket transmitter PT 40 MINIvery small and lightweigtControl for input sensitivityLow power consumptionReceiver SR 40 MINIRobust metal housingHigh audio and transmission qualityStatus LED´s for receiving, audioclipping and power On/Off Symmetric 6,3 mm jack outputOutput level adjustable on the receiverHeadset microphone COBTVery lightweighted, movable gooseneck, condenser microphone, omnidirectional, beigeTechnische DatenTrägerfrequenzbereich: 863 - 865 MHzModulationsart: FM / UHFKlirrfaktor: 0,8 %Signal/Rauschabsand: 110 dB (A)

€169.00*

delivery time 14 days
Sennheiser EM 300-500 G4 BW-Band diversity receiver 626 - 698 MHz
Frequency range: BW Band (626 - 698 MHz)88 MHz bandwidth20 Frequency banks with up to 32 presets for eachUp to 32 compatible channelsFast frequency allocation for up to 12 recipients via link function with RJ10 connectionFrequency response: 25 - 18,000 HzFrequency transmission over infra red interfacePilot toneAutotune to find free frequenciesIntegrated EQAudio gain over 60 dB rangeSoundcheck mode4-Digit battery indicator on the receiver2 BNC antenna connectorsXLR-Male balanced and jack unbalancedPower supply 10.5 - 16 V DC9.5" HousingIncl. GA 3 rackmount and power supply NT2

€555.00*

delivery time 14 days
JTS CM-214UKD KIds Headset Microphone Beige
The JTS CM-214ULKD is a lightweight unidirectional headband microphone designed for professional kids with a comfortable adjustable steel headband and flexible gooseneck microphone.Technical Data: Connector: 4-pin mini XLR Frequency Response: 100 ~ 18,000 Hz Polar Pattern: Cardioid Sensitivity (at 1KHz): -60±3 dB* (1mV)*0dB=1V/µbar Impedance: 1.8kO Max. SPL for 1% THD: 120dB Color: Beige Size (WxHxD): 125 x 134 x 157mm Net Weight: 18g (without cable)

€119.00*

Immediately available or ready for collection
Alesis Guitarlink Plus Guitar System
Connects guitar and other line-level instruments to your computerInternal, analog-to-digital audio conversion at 16-bit, 44.1 kHzPlug-and-play USB connection for Mac and PCWorks with iPad via Apple USB Adapter (sold separately)16.5-foot length (5m) to provide unrestricted performancesCompatible with most Mac and Windows class-compliant drivers and softwareIncluded Guitar Rig LE® software lets you shape your sound and record your performancesDelivery without guitar or laptop

€32.00*

delivery time 14 days
Shure PGA 58 dynamic microphone for vocals and speach
Shure PGA58-QTR-Eincl. XLR - QTR CablePG Alta SeriesDynamic microphone for speach and vocalsCardioidFrequency range: 50 - 16.000 HzImpedance: 150 OhmsSensitivity @ 1 kHz: -55 dBV/Pa (1,8 mV)On/off switchColour blackincl. 4,5m XLR-QTR cable, holder and bagWeight 294 g

€85.00*

Immediately available or ready for collection
AKG Power Supply 12V. 500mA für SR 40/SR 45/SR 420

€39.90*

delivery time 14 days
Sennheiser hand-held transmitter SKM 100 G4 Band B 626 - 668 MHz
Frequency range: B-Band 626 - 668 MHzBacklit displayCharging contactsOperates with 2x 1.5 V AA batteriesPilot toneIncluding MZQ1 microphone clamp and batteries

€299.00*

Immediately available or ready for collection
AKG C547BL condenser microphone
AKG C547BL capacitor border area microphonevery solid, best for installationHyper cardoy pickup patternSwitchable HP-filterincl. connection cable with phantom-adapter and windscreen,

€525.00*

delivery time 14 days

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Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.