Microphones


Dynamic microphones use a voice coil to convert sound into voltage and are often used for loud sources due to their low sensitivity. A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. Because of the high sensitivity, condenser microphones are better for sources that need to be reproduced in great detail or that are further away. A condenser microphone requires an energy supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from.

TOPSELLER



Topseller

Clip for Sennheiser HSP 2 SET 5 pcs
Clip set, beige (5 pairs) suitable for: HSP 2-3, HSP 2-3-5, HSP 2-ew-3, HSP 2-3-5-M, HSP 2-3-M, HSP 2-ew -3-M.

€15.90*

delivery time 14 days
Rode Lavalier GO, Lavalier-Microfon with 3,5 mm TRS Plug, white
Lavalier GO is a professional-grade wearable microphone designed for use in a wide range of applications. The 3.5mm TRS connector is designed to pair perfectly with the RØDE Wireless GO and most recording devices with a 3.5mm TRS microphone input.Lavalier GO is designed to perform excellently in any broadcast application. Featuring a discreet 4.5mm omnidirectional microphone, it delivers crystal clear audio in all environments and is incredibly forgiving when it comes to placement on talent, allowing for greater flexibility in fast-paced situations.A foam pop shield is supplied to minimise wind noise and vocal plosives (hard ‘b’, ‘t’ and ‘p’ sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlar® reinforced cable, designed to withstand the rigours of any shoot.Lavalier GO also comes in white for easy concealment against bright clothing.Features:Professional-grade lavalier mic with 3.5mm TRS jackHigh-quality omnidirectional condenser capsuleDiscreet 4.5mm miniature microphoneKevlar® reinforced cableIncludes pop shield and durable mounting clipAcoustic Principle: Permanently Polarised CondenserPolar Pattern: Omni-directionalFrequency Range: 20Hz - 20kHzOutput Impedance: 3k O TypicalSignal to noise Ratio: 67 dBEquivalent Noise: 27 dB TypicalMaximum SPL: 110 dBSensitivity : -35dB (17.8mV @94dB SPL)Dynamic Range: 83dB TypicalPower Requirements: Powered from plug-in power TRS socket (2.7V)Output Connection: Gold-plated TRS plug

€66.00*

Immediately available or ready for collection
Sennheiser SKM 835 XSW E band
For XSW1 and XSW2 wireless systemsFrequency range: E band: 823 - 832 MHz and 863 - 865 MHzDynamic E835 capsuleDirectional characteristic: CardioidOperates on 2 AA batteriesMicrophone holder MZQ1 included

€199.00*

delivery time 14 days
Austrian Audio OC18 Studio Set
Engineered and manufactured in Austria, its high sensitivity and incredibly low self-noise means it can handle everything from a whisper to extreme SPLs without distortion, making it theperfect choice for studio, live and broadcast applications. As the unique ceramic capsule design is so consistent, the OC18 can be match-paired pair with ANY other OC18 or paired with ANY OC818 set in cardioid mode.Technical SpecificationsDirectional characteristics: SingleImpedance: 275 O (symmetrical)Polar pattern: CardioidLoad impedance: > 1 kOFrequency range: 20 Hz - 20 kHzSupply voltage: 48 V (< 2.2mA)Sensitivity (all directions): 13mV/PaMain Connector: XLR 3 pinEquivalent noise level: 9 dB SPL (A)Max SPL: 148 dB SPL (158 dB SPL)Dimensions: 157 x 63 x 35 mmSwitchable pad: -10 dB, -20 dBWeight: 335 gAnalog Low Cut filter: 40 Hz (2nd order), 80 Hz (2nd order), 160 Hz (1st order down to 80Hz, 2nd order below)

€749.00*

Immediately available or ready for collection
Sennheiser EM 100 G4 A-Band diversity receiver 516-558 MHz
9.5" Receiver of the EW G4 SeriesFrequency range A band 516-558 MHz1680 selectable frequencies in 42 MHz switching bandwidthUp to 20 compatible channelsFast frequency allocation for up to 12 recipients via link function with RJ10 connectionFrequency response: 25 - 18.000 HzFrequency transmission via infrared interface4-Digit battery indicatorPilot tone2 x BNC antenna socketsOutput XLR-malePower supply 10.5 - 16 V DCIncludes power supply and 2 antennas

€399.00*

delivery time 14 days
COBT ear-worn microphone
ear-worn microphone with light metal ear hook, omni, beige and movingGooseneck, including drip tray, mini-XLR connector for connection to all AKG bodypack transmitter

€51.00*

delivery time 14 days
AKG WMS40 MINI Earmic Set ISM1 863.100 MHz
AKG WMS40 MINI Earmic Set ISM1 863.100 MHzSet of pocket transmitter, receiver and earhook microphone30 hours running time with only one AA batteryIncl. power supply and batteryAvailable in three frequencesPocket transmitter PT 40 MINIvery small and lightweigtControl for input sensitivityLow power consumptionReceiver SR 40 MINIRobust metal housingHigh audio and transmission qualityStatus LED´s for receiving, audioclipping and power On/Off Symmetric 6,3 mm jack outputOutput level adjustable on the receiverEarhook microphone COBTVery lightweighted, movable gooseneck, condenser microphone, omnidirectional, beigeTechnical specificationsFrequency range: 863,100 MHzModulation type: FM / UHFDistortion Factor: 0.8%Signal / Singal-to-noise-ratio: 110 dB (A)

€179.00*

delivery time 14 days
AKG C 3000B Microphone
AKG C 3000 Large-diaphragm condenser microphoneCardioid, acceptances for vocals and instruments in the studio and on stage1 "large diaphragm capsuleswitchable-10dB attenuationswitchable bass filterincluding H 85 spider black

€269.00*

delivery time 14 days
Sennheiser EW 100 G4 865 S A1-Band Vocal Set 470 -516 MHz
with SKM 100 G4-S hand transmitter with mute switch and E845 replaceable capsuleFrequency range: A1-band (470 - 516 MHz)Includes GA 3 rackmount, RJ10 connection cable, microphone holder, NT2 power adapter and 2 AA batteriescapacitorCharacteristics: supercardioid42 MHz switching bandwidth20 channel banks each with up to 12 presetsup to 20 compatible channelsFast frequency allocation for up to 12 recipients via link function with RJ10 connectionAudio transmission range: 25 - 18,000 HzFrequency transmission via infrared interfaceHand transmitter with charging contacts for optional rechargeable battery BA 2015 (NiMH)pilot toneAutotune for finding free frequenciesintegrated EQAudio Gain includes 60 dBSoundcheck Mode4-digit battery indicator on the transmitter and receiverHDX companderLCD display with NF level and channel display30 mW transmission power2 BNC antenna socketsXLR-Male balanced and unbalanced jackMains supply 10.5 - 16 V DC

€899.00*

Immediately available or ready for collection
ORTEGA Digital wireless System Maple Design 4 channels / 2,4 Ghz / rechargeable / incl. USB cable
The Ortega ODWS-1 features 2,4 GHz digital technology that broadcasts incredible, crystal-clear audio quality. This successful wireless system is now available in four additional new designs: black, carbon, maple, and walnut. Suitable applications range from practicing to recording sessions, and thanks to the four channels, the ODWS is also perfect for live band performance. Each system includes a receiver, transmitter, and a USB double head charger.SPEZIFICATIONS Sample Range: 24bit/48KHz uncompressed digital transmisionLatency: < 5msRange: > 100 feet (appx. 30 meters ), line 0 site outdoorsDynamic Range: > 103db A weightedOperating Band: 2,4Ghz ISM worldwideFrequency Response: 20 - 20K Hz, +1dB/-3dBPower Supply: Built-in Rechargeable Lithium BatteryCharging: USB portOperating temperature: -10° to 50° celcius (14° F - 122° F )

€119.90*

Immediately available or ready for collection
Sennheiser EW 122 G4 E-Band Camara lavalier Mic Set 823 - 865 MHz
Consists of SK 100 G4 bodypack transmitter, EK 100 G4 pocket receiver and ME 4 condenser lavalier microphoneFrequency range: E-band (823 - 865 MHz)42 MHz switching bandwidth20 Channel banks each with up to 12 presetsUp to 20 compatible channelsFrequency range: 25 - 18.000 HzFrequency transmission via infrared interfaceBodypack transmitter and pocket receiver with charging contact for optional BA 2015 (NiMH) rechargeable battery (not included)Pilot toneAutotune for finding free frequenciesAudio Gain includes 60 dB4-Digit battery indicator on the transmitter and receiverHDX companderLCD display with NF level and channel display30 mW transmission powerIncludes CL100 cable, CL 1 cable and CA 2 flash unit adapter

€649.00*

delivery time 14 days
AKG WMS40 MINI Instrumental Set Single ISM 1
AKG WMS 40 MINI INSTRUMENT ISM1UHF Wireless-System with bodypack transmitternon Diversity receiver with adjustable balanced jack output HDAP Technoloiy(High Definition Audio Performance)up to 30 ours with one 1x AA BatteryLED status control on transmitterLow Battery control on transmitterOn/Off/Mute switch on transmitterthree status LEDs on receiver,incl. guitar cable (1,1m)frequency ISM 1 863.100 MHz free to use all over Europe

€179.00*

delivery time 14 days
Shure Super 55 Deluxe, dynamic Vocal-Microphone, Elvismic
Successor of SH 55 ElvismicCharacteristics: Super-cardioid Frequency response 60 Hz - 17 kHz Sensitivity -53.0 dBV / Pa (ref. 1 kHz) Nominal impedance 150 OhmTripod connection Improved capsule with less noise and maximum feedback resistance Weight 656 g

€299.00*

Immediately available or ready for collection
AKG W 1001 wind screen for C 1000 S

€9.90*

delivery time 14 days
Sennheiser EW 100 G4 ME4 A1-Band Lavalier Mic Set 470 - 516 MHz
With SK 100 G4 bodypack transmitter and ME 4 condenser lavalier microphoneFrequency range: A1-band (470 - 516 MHz)Includes GA 3 rackmount, RJ10 connection cable, NT2 power adapter and 2 AA batteriesFeatures ME 4 Condenser Lavalier Microphone:Characteristic: CardioidFeatures EM 100 G4 9.5" Receiver:42 MHz Switching bandwidth20 Channel banks each with up to 12 presetsUp to 20 compatible channelsFast frequency allocation for up to 12 recipients via link function with RJ10 connectionAudio transmission range: 25 - 18,000 HzFrequency transmission via infrared interfaceBodypack transmitter with charging contacts for optional rechargeable battery BA 2015 (NiMH)Pilot toneAutotune for finding free frequenciesIntegrated EQAudio Gain includes 60 dBSoundcheck Mode4-Digit battery indicator on the transmitter and receiverHDX companderLCD display with NF level and channel display10 mW transmission power2 BNC antenna socketsXLR-Male balanced and unbalanced jackMains supply: 10.5 - 16 V DC

€739.00*

delivery time 14 days
AKG WMS 420 Instrumental Set Band D
AKG WMS 420 Instrumental Set Band DUHF Wireless-System (863,100 - 864,900 MHz)True DiversityUp to 8 frequencies parallel50 mW transmitted powerLow-Battery-LED on transmitter9,5" receiverRemoveable BNC-antennasPocket transmitter with guitarcable3 pin TQG connector, silent On-Mute-Off-switchCharging contacts for optional CU 400Works with 1x 1,5 Volt AA batteryOutputs: XLR (bal.) and jack (unbal.),Frequency band A 530 - 559 MHzThe WMS420 Instrumental Set package includes:1 x Bodypack transmitter PT4201 x Stationary receiver SR4201 x Guitarcable2 x Receiver antennas1 x AC adapter1 x AA size battery

€349.00*

Delivery time on request!
Rode Wireless GO digital wireless microfon system, white
The Wireless GO is an ultra-compact wireless microphone system that is unique in its clip’n’go versatility and incredibly compact form-factor. The transmitter features an in-built omnidirectional condenser capsule and can be used as a clip-on mic or with a RØDE lavalier, sending crystal-clear, broadcast-grade audio via 2.4GHz digital transmission to the on-camera receiver. It’s the perfect wireless mic solution for content creators in all disciplines: filmmakers, on-camera presenters, newsgatherers, vloggers and more.Key features:Transmitter operates as a clip-on microphone or beltpack for a lavalier/headset microphone.Ultra-compact form-factor transmitter and receiver weigh a minuscule 31g each.Series III 2.4GHz digital wireless transmission with 128-bit encryption delivers crystal-clear audio under any conditions and excels in dense Wi-Fi and Bluetooth environments (shopping malls, conventions, hotels etc).Up to 70m range (line-of-sight), optimised for short-range operation in congested RF environments.In-built rechargeable batteries that last up to 7 hours, charged via USB-C.Super easy to use - transmitter and receiver auto-pair in under three seconds.3-stage output pad (0dB, -12dB and -24dB) and battery saver mode.Use up to eight systems in one location.Comes in either black or white.Designed and made in RØDE’s precision manufacturing facilities in Sydney, Australia.Dimensions (L x W x H, mm)TX: 44 × 45.3 × 18.5RX: 44 x 46.4 x 18.5Weight 31gIncluded Accessories2 x fur windshield, 1 x pouch, 2 x USB-A to USB-C cables, 1 x SC2 cableColor: white

€185.00*

Immediately available or ready for collection
Sennheiser E 614 Condenser Microphone
Polar pattern: supercardioidVery high sensitivityFrequency range 40 Hz - 20 kHzHigh SPLEffective suppression of rear incidental noiseExcellent feedback resistanceEspecially for overhead, hi-hat, woodwinds and string instrumentsPhantom power 12-52 V/ 3 mA required

€199.00*

Immediately available or ready for collection
Sennheiser SKM 2020 D Tour Guide hand transmitter
SKM 2020-D, the easiest way to reach your audience is to speak using a hand-held microphone. Should a participant have a question, simply pass the microphone on to him and the entire group can follow the conversation. Or use the SKM 2020-D for an interesting expert interview during your tour.The microphone capsule of the SKM 2020-D successfully dampens any unwanted background noise. Its very robust transmitter is easy and convenient to use. The transmission channel and battery status are shown on the backlit display. The rechargeable battery enables tours of up to 8 hours. At the end of each tour, the battery in the EZL 2020-20L charging case can be quickly charged. This is equipped with practical charging slots and another slot for the reserve battery.Digital RF signal transmissionLicense-free frequency range (EU, US)Robust hand-held transmitter housing, tried and tested on the stageIdeal in noisy surroundingsDigital RF signal transmissionLicense-free frequency range (EU, US)Robust, stage-tested hand-held transmitter housingIdeal in noisy surroundingsIntuitive to useBacklit displayFrequency response: 100 - 7,000 HzTHD, total harmonic distortion: = 1%Transducer principle: dynamicWeight: 420 gRange: 50m / 100m indoor / outdoorPick-up pattern: kidneyOperating temperature: 0 - 50 ° CSignal-to-noise ratio:> 65 dB (A)RF output power: 10 mWNumber of channels: 6Operating time. 8 hModulation: 2-FSKPower supply: BA 2015 (2.4 V); 2 AA (1.5 V)

€789.00*

delivery time 14 days
Audio-Technica AT2020 USB+cardiod Condenser Microphone
Highlights & Details Condenser microphone with USB audio interface Adjustable headphone output The AT2020USB + is equipped with a USB audio interface for music or other sound sources record directly with your favorite recording software. The microphone offers the award winning sound of the AT2020. With a speech intelligibility in studio quality, it is perfect for singer / songwriter, podcaster, outdoor and voice recordings and home recordings. The AT2020USB + has a built-in variable intercept in the volume headphone output that allows the microphone signal directly and without delay (latency). One has prepare a mix of previously recorded material and the current microphone signal and the option. By cardioid capsule has an excellent rear damping. The A / D converter with 16-bit and 44.1 / 48 kHz sampling rate ensures an extremely clean and clear sound reproduction. Specifications cardioid USB connector On / off switch No Cable length 3.1 m Frequency transition 20-20000 Hz Weight 386 g Length 162 mm Diameter 52 mm

€149.00*

Immediately available or ready for collection

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Dynamic microphones

Dynamic microphones use a voice coil to convert sound into voltage. Due to their low sensitivity, dynamic microphones are often used for loud sources. Common use cases for dynamic microphones: recording high sound pressure levels, positioning the microphone at close range; due to the weaker signal-to-noise performance, it is not important here.

Condenser microphones

A condenser microphone (usually) uses a diaphragm that is excited by the sound and vibrates accordingly. This sound is then converted into an electrical signal. A condenser microphone requires a power supply, the so-called 48V phantom power. This is available on most mixers or good interfaces to choose from. Condenser microphones are better suited for sources that are to be reproduced in great detail or that are further away due to their high sensitivity. Recordings made with a condenser microphone sound clearer compared to dynamic microphone recordings.

Vocal microphone

Advantages: condenser microphone
1. Condenser microphones offer a higher level of detail (especially in the higher frequencies).
2. The lightweight diaphragm of the condenser microphone has better transient response.
3. The condenser microphone's higher signal-to-noise ratio provides very clean and clear recordings.

Microphone recordings of voice for podcasts and more

Condenser and dynamic microphone
As with recording vocals, podcasts and voice-over recordings sound particularly impressive when you use a condenser microphone. The condenser microphone reproduces many details of your voice. Still, many broadcast studios, like radio stations, use dynamic microphones for their live sessions.
The main difference between the two microphones is the difference in sensitivity and level of detail in the high frequencies.

Microphone recordings for acoustic guitars

condenser microphone
> A condenser microphone picks up all the details of your instrument and leads to a natural sound and more authentic sound image.
> A dynamic microphone delivers less treble and affects the natural sound of the acoustic guitar (character).

Microphone for drum recordings

Advantage Dynamic Microphone
1. A dynamic microphone can easily handle high sound pressure levels.
2. Dynamic microphones have low sensitivity, and even the high SPLs result in signals that can be easily processed by the next device in your recording chain without distortion.

Microphone for electric guitar recordings

Dynamic microphone
Due to their transducer principle with a voice coil, dynamic microphones are fundamentally indifferent to high sound pressure levels. Due to the low sensitivity you have no problems with the distortion of the input of the preamp.