The mixer is used to combine and control various electrical audio signals. There are small 2-channel mixers up to large 24-channel mixers and more. The 'Power mixer' already has an integrated amplifier; the passive loudspeakers can be connected directly to the mixer and an external power amplifier is no longer required. With the 'Digital mixer', settings can be saved and recalled in addition to the analog mixer. It also offers more effects and more setting options.
Dante Audio Networking CardDesigned to help integrate dLive and Avantis into a wide range of live, install and broadcast scenarios, the Dante 128×128 audio networking card offers low latency, high channel count connectivity to Dante networks and devices using standard networking cabling and hardware.With 128 channels of bidirectional audio at 96kHz, the Dante 128×128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately), with no compromise in audio quality.The front panel Primary and Secondary ports allow simultaneous connection to multiple Dante devices, or dual-cable redundancy with compatible hardware. A dedicated Control Network port is provided for configuration using Dante Controller software.Support for the AES67 standard allows interoperability with other AoIP protocols found in broadcast, install and live sound scenarios and simplifies audio transport between different systems.Compatibility with Dante Domain Manager (DDM) enables integration with large networks and transparent routing across subnets as well as robust security and authentication options.Features128 bidirectional channels of Dante I/O at 96kHz or 48kHzPrimary and Secondary audio ports for redundancy or switched operationDedicated Control Network port for configurationInternal Network Bridge switch to bridge the dLive/Avantis Control Network and the Dante Control NetworkMultitrack recording via Dante Virtual Soundcard (available separately)64 channels at 48kHz32 channels at 96kHzAES67 compatibleDante Domain Manager (DDM) readyUp to 5x superDANTE w/ dLive S Class / Up to 2x superDANTE w/ dLive C ClassPlug and play operationUse off the shelf network hardware
dLive/Avantis Audio Networking CardThe Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.SoundGrid is an Audio-over-Ethernet protocol developed by Waves for real-time professional audio applications. It provides a very low latency environment using standard Gigabit Ethernet networks. Plugin processing can be performed natively on a computer or on dedicated Waves servers.Go to the Waves website to learn more about Waves for the Allen & Heath platform, download further documentation, and follow the instructions to set up the hardware and software:http://www.waves.com/live-sound/allen-heath Features:128 in, 128 outSwitchable 48/96kHz sample rateWaves SoundGrid audio networkingMultitrack recording and playbackIntegrated 3-port Ethernet switch for connection of multiple devicesInput sharing with Waves V2 and V3 cards
CQ-12T is the smallest mixer in the CQ range and is ideal for home recording and streaming, band rehearsals, small gigs, and speech applications.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-12T FeaturesInputs: 5 XLR5 XLR/TRS Combi2 TRS (stereo)16×16 USB-B interface (48/96kHz)16×16 SD record/playback (48/96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)Assignable TRS headphone output2 FX engines3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlDimensions (W x H x D): 290 x 88 x 242 mmWeight: 2.4kg
Designed for life on the stage, CQ-20B is the highest channel-count mixer in the range and is controlled via the free CQ MixPad app.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-20B FeaturesInputs: 8 XLR8 XLR/TRS Combi4 TRS (stereo)24×24 USB-B interface (48/96kHz)SD record/playback 24×24 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 XLR (Monitors)Assignable Alt OutAssignable TRS headphone output4 FX enginesBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 372 x 133 x 153 mmWeight: 2.6kg
CQ-18T is the largest desktop mixer in the CQ range and is ideal for gigging bands, rehearsal spaces, home recording and streaming, speech applications and corporate AV.Mix Smarter. Work Faster. Sound Better.CQ takes our renowned processing and effects, adds exciting new assistive mixing tools, and packages it all up into our smallest, and most affordable, digital mixer series yet.CQ-18T FeaturesInputs: 8 XLR8 XLR/TRS Combi2 TRS (stereo)24×22 USB-B interface (48/96kHz)SD record/playback 24x22 (48kHz) / 16x16 (96kHz)Stereo USB record/playback with dedicated input channelStereo Bluetooth playback with dedicated input channelDual Footswitch connectionOutputs: 2 XLR (Main)6 TRS (Monitors)2 Assignable TRS headphone outputs4 FX engines3 Custom Rotaries3 Custom SoftKeys7" Capacitive touchscreen with associated rotary controlBuilt-in dual band 2.4G/5G AC Wi-Fi with auto channel selectDimensions (W x H x D): 346 x 88 x 242 mmWeight: 3kg
With the PreSonus HP60 six-channel headphone distribution system, you can easily provide headphone mixes your musicians will love. That’s because the HP60 is more than a set of headphone amplifiers: It’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.Each of the HP60’s six headphone amps has its own level control and is louder than you’ll ever need, yet crystal clear. Two sets of line-level, stereo inputs are routed to all six headphones, with a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed a click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. In addition, you get an external stereo input with level control, mono and mute for each headphone channel, so you can send each musician a custom feed of just their instrument or voice and can control the level separately for each.With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and a dynamic mic to tell ‘em what to do. A footswitch input enables hands-free talkback control.Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a PreSonus HP4 to feed 10 pairs of headphones.So take command of your headphone system with the problem solver: the PreSonus HP60.Features- 6 screaming-loud (150 mW/channel) front-panel headphone outputs- 6 unbalanced stereo ¼-inch line outputs (1 per channel); carries a copy of the channel mix- 6 unbalanced stereo ¼-inch external line inputs (1 per channel) for “more me,” with trim controls- 2 stereo input channels (A and B) with 4 balanced ¼-inch line inputs (L/R Mix input pairs- 1 balanced XLR Talkback input for external dynamic microphone- 1 ¼-inch footswitch jack for hands-free Talkback operationChannel controls: External input level, Headphone level for each headphone output, Mix A/B control (blends signals from input pairs A and B), Mono switch for external input and Mute switch for input pairs A and B- Master controls: Input A level, Input B level, Talk button (momentary switch) and Talkback-mic level- 1U 19-inch rack-mountable, rugged steel chassisInternal power supply with standard IEC connector
DM3 Series allow engineers to capture the on-stage sound accurately, without coloration, and then addcreative touch as required. It exemplifies a “less is more” design philosophy, utilizing a 9” touchscreenand a single Touch & Turn knob for managing most of the console’s operations. DM3 mixing consolesgive you the power and flexibility to DO MORE than ever imagined with a digital console this compact.9" touch screen9 motorized faders"Turn & Touch" controls18x18 USB 2.0 audio interface 96kHz8 exits6 x Mix Bus + 2 x FX + 2 x MatrixDAW Remote Feature (HUI)OSC support for installationsEditor app available for tablet (tablet not included)6 freely assignable buttons2 x 2 channel recording/playback via USB port8 effects + GEQ on the mix/stereo busDimensions (W x H x D): 320 x 140 x 455 mmWeight: 6.5kgIncludes Steinberg Cubase AI and VST Rack ElementsConnections:16 mic/line inputs (12 x XLR, 4 x combo XLR/jack 6.3 mm)8 line outputs XLRStereo headphone output: 6.3 mm jackUSB to hostUSBEthernet RJ45
The Tio1608-D2 is a Dante-compatible I/O rack equipped with 16 mic/line inputs and 8 line outputs. It can remotely control the preamps of the TF and DM3 series consoles, allowing you to build a simple stage box system. The versatile Tio1608-D2 also supports 96kHz and is therefore just as perfect for use as an I/O rack in large installations with products such as the RIVAGE PM or DME7.characteristics• 2U size, 16 inputs and 8 outputs.• The Dante network protocol contributes to greater system scalability and flexibility• Easy configuration using the DM3's AUTO CONFIG function or the TF Series' QUICK CONFIG function• Features recallable D-PRE preamps• Dimensions (W x H x D): 480mm x 88mm x 364mm (18.9" x 3.5" x 14.4")• Net weight: 5.7 kg (12.6 lbs)
DM3 Series allow engineers to capture the on-stage sound accurately, without coloration, and then addcreative touch as required. It exemplifies a “less is more” design philosophy, utilizing a 9” touchscreenand a single Touch & Turn knob for managing most of the console’s operations. DM3 mixing consolesgive you the power and flexibility to DO MORE than ever imagined with a digital console this compact.9" touch screen9 motorized faders"Turn & Touch" controls18x18 USB 2.0 audio interface 96kHz8 exits6 x Mix Bus + 2 x FX + 2 x MatrixDAW Remote Feature (HUI)OSC support for installationsEditor app available for tablet (tablet not included)16 x 16 DANTE Interface6 freely assignable buttons2 x 2 channel recording/playback via USB port8 effects + GEQ on the mix/stereo busDimensions (W x H x D): 320 x 140 x 455 mmWeight: 6.5kgIncludes Steinberg Cubase AI and VST Rack ElementsConnections:16 mic/line inputs (12 x XLR, 4 x combo XLR/jack 6.3 mm)8 line outputs XLRStereo headphone output: 6.3 mm jackUSB to hostUSBEthernet RJ45
The DAP IMIX-7.1 is an installation mixer with 7 channels and 3 master outputs.
19"/2U installation mixer
Suitable for gastronomy, retail, public facilities and nightlife
2x microphone input with volume and EQ controls
5x line input with individual volume control (fader) and gain control
3 master outputs with volume control and EQ settings
A good mix between the different inputs and the master volume can be created and EQ settings can be adjusted for each output.
In total, you can connect two dynamic microphones and five audio devices, with the microphone inputs equipped with a 3-band EQ control.
The gain settings for each input are on the rear panel. This prevents overrides by non-technical users. On the front there is a direct input for 2 microphones, 1 line source or a phone/MP3 device with a special impedance switch.
dLive/Avantis audio networking cardThe gigaACE audio networking card (M-DL-GACE) is one of several audio networking options that can be fitted to any Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 96kHz gigaACE point-to-point link to another dLive or Avantis mixing system. It also enables connection from a dLive system to the DX Hub or GX4816 expander.gigaACE is Allen & Heath’s proprietary protocol for transporting Audio and Control over Ethernet, using standard CAT cables. It allows very low latency and cable redundancy without any audio dropout. gigaACE can also tunnel the dLive/Avantis TCP/IP control network over the same connection, for example to enable control of either of the two systems by a single laptop.The gigaACE card offers a cost-effective and simple solution for digital split applications, replacing the copper multicore / analogue splitters of the past. In a typical FoH / Monitor configuration, the inputs of a dLive or Avantis system are sent to a second system where independent trim, processing and mixing is applied.gigaACE is a truly plug ‘n play protocol: no computer is required for the setup of gigaACE connections. Simply plug the cable between any two dLive/Avantis systems and set the patch and clock settings directly on the mixer.Features:128 in, 128 out96kHz sample rateUltra-low transport latency – 5 samples (52 us)Dual redundancySwitchable Control Network Bridge
The compact and portable DT20 converts two analogue inputs, via combo XLR-Jack, to two channels of Dante audio, enabling hassle-free connection of analogue sources to a Dante network for install and live applications.Dante Input Interface – 2 INDT20 is a compact 48kHz/96kHz Dante interface enabling convenient placement of 2 mic/line inputs wherever you need to get analogue audio into a Dante network.Ideal for both fixed installation and AV hire / live applications, DT20 can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as in third party Dante systems.Thanks to its compact format, DT20 can be easily mounted under a table, podium etc. for local mic connection – or rack-mounted wherever required – on stage, or at FoH.The unit can be PoE powered or powered via a DC 12V supply. Two versions are available: the standard DT20 with power supply and rubber feet, or the DT20-M which includes surface mounting ears (and no power supply).FeaturesDante input interface, 48kHz/96kHz2x combi mic/line inputsLocal gain control48V phantom power with LED indicatorPoE powered or DC 12VEtherCon connectorRugged aluminium boxOptional ears for surface mounting (included in DT20-M version)Optional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready
The compact and portable DT02 converts two channels of Dante audio to a pair of XLR line-outputs, enabling simple break-out to analogue equipped hardware for install and live applications.DT02 is a cost-effective, compact 48kHz/96kHz Dante interface enabling 2x XLR outputs wherever you need them on your Dante network. Ideal for a wide variety of fixed installation and AV hire / portable applications, DT02 can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as with third party Dante systems.Housed in a compact rugged aluminium box, and with optional mounting ears or rack kit, DT02 can be easily deployed wherever you need it, either mounted in proximity of active speakers or monitors, or placed in the equipment rack.The unit can be PoE powered or powered via a DC 12V supply. Two versions are available, the standard DT02 with power supply and rubber feet, or the DT02-M which includes surface mounting ears (and no power supply).FeaturesDante output interface, 48kHz/96kHz2x XLR line outputsPoE powered or DC 12VEtherCon connectorRugged aluminium boxOptional ears for surface mounting (included in DT02-M version)Optional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready
The compact and portable DT22 enables simple integration of Phoenix / Euroblock equipped hardware into a Dante network. Two inputs and two outputs make it suitable for a range of fixed install scenarios.DT22 is a compact 48kHz/96kHz Dante interface enabling convenient placement of 2 mic/line inputs and 2 line outputs wherever you need to get analogue audio in and out of a Dante network. Equipped with standard Phoenix / euroblock connectors, DT22 is designed for fixed installation and can be easily mounted under a meeting table, for example in a breakout room or huddle space, under a podium for local mic/PC and speaker connection, or rack-mounted to interface with analogue equipment such as an AV switcher.It can be used with any Dante-equipped Allen & Heath mixer or AHM system, as well as in third party Dante systems. The unit can be PoE powered or powered via a DC 12V supply.FeaturesDante 2×2 interface, 48kHz/96kHzPhoenix euroblock connectorsLocal gain control and mic/line switch48V phantom powerPoE powered or DC 12VRugged aluminium boxIncludes ears for surface mountingOptional rack mounting kit DT-RK19AES67 compatibleDante Domain Manager ready
Allen&Heath ZEDi-8Hybrid-Kompaktmischer / USB-SchnittstelleZEDi-8 bietet Musikern, Aufnahmekünstlern und Veranstaltungsorten die Robustheit und praktische Steuerung eines analogen Mischpults, gepaart mit der Vielseitigkeit und dem Komfort einer 2×2-USB-Schnittstelle. Egal, ob es darum geht, ideen zu Hause herumzuhüpfen, live aufzutreten oder Tracks aufzunehmen, die auf YouTube und Soundcloud zu teilen sind, ZEDi-8 ist ein vielseitiger Begleiter für jeden Schritt der kreativen Reise. Mit dem neuen GSPre Boutique-Vorverstärker-Design, das aus der verehrten Studio-Aufnahmekonsole GS-R24 entwickelt wurde, bietet der ZED außergewöhnlich geringes Rauschen und massive Kopffreiheit mit einer charakteristischen analogen Wärme und Tiefe. Gitarristen werden erfreut sein zu erfahren, dass ZEDi-8 mit einem Paar hochimpifer Guitar DI-Eingängen geliefert wird, mit denen Gitarren direkt in den Mixer eingesteckt werden können, ohne dass separate DI-Boxen mit sich gebracht werden müssen.ZEDi-8 bietet das Beste aus beiden Welten und enthält ein 2-In / 2-Out, 24-Bit / 96kHz USB-Audio-Interface in Studioqualität für problemlose Aufnahme und Wiedergabe auf/ von einem Mac oder PC oder auf einem iOS-Gerät mit dem iOS-Kamera-Kit. Die USB-Ausgangsquelle kann auf verschiedene Arten eingerichtet werden, um Ihrem Workflow zu entsprechen. ZEDi-8 ist klassenkonform mit Mac und iOS.CUBASE LE MUSIKPRODUKTIONSSOFTWARE IM LIEFERUMFANG ENTHALTENZEDi-8 wird mit der renommierten Cubase LE Software geliefert. Cubase LE bietet leistungsstarke und dennoch einfach zu bedienende Software-Tools für Audioaufnahme, Bearbeitung, MIDI-Sequenzierung und Mixing. Seine große Auswahl an bewährten Bearbeitungs- und Sequenzierungswerkzeugen kann für eine Vielzahl von Musikstilen und Anwendungsbereichen verwendet werden. Von Sängern und Songwritern, die Gesangslinien aufnehmen, bis hin zu Rockbands, die in ihrem Proberaum jammen, cubase LE ist so einfach wie es nur geht - mit hervorragender Audioqualität sowie zeitsparender Aufnahme- und Bearbeitungsfunktionalität.CUBASIS LE MOBILE MUSIKPRODUKTIONS-APPDer Mixer wird auch mit der Cubasis LE App geliefert. Cubasis LE ist die kompakte Version von Steinbergs stromlinienförmigem Multitouch-Sequenzer für das iPad, der das gleiche Erscheinungsbild wie sein größerer Bruder Cubasis bietet. Cubasis LE wurde speziell für eine schnelle und einfache Bedienung entwickelt und macht das Aufnehmen, Bearbeiten und Mischen zum Kinderspiel.AUSSERGEWÖHNLICHE AUDIOQUALITÄTZEDi-8 verfügt über ein außergewöhnliches neues Vorverstärkerdesign, das vom analogen Guru Mike Griffin entworfen und aus seiner hochgelobten GS-R24 Studio-Aufnahmekonsole entwickelt wurde. Die als GSPre bekannten Vorverstärker bieten außergewöhnlich geringes Rauschen und massive Headroom sowie die Wärme und Tiefe, für die die analoge Palette von Allen & Heath berühmt ist. Für die klangliche Formgebung wurden die präzisen MusiQ EQ-Steuerelemente sorgfältig auf Reaktionsfähigkeit und Präzision kalibriert, so dass jede musikalische Quelle leicht geformt und verbessert werden kann.HARTE STRASSEAlle ZED-Mixer wurden nach den legendären Touring-Standards von Allen & Heath entwickelt und gebaut, um eine lange Lebensdauer in den härtesten Umgebungen zu gewährleisten. Alle Kanäle befinden sich auf einzelnen, vertikalen Leiterplatten und alle Drehregler sind mit einer Stahlmutter an der Frontplatte befestigt, um vor Aufprallschäden zu schützen.ZEDi-8 wird mit zwei hochfesten Guitar DI-Klinkeneingängen geliefert, so dass Gitarren direkt in den Mixer eingesteckt werden können, ohne dass DI-Boxen erforderlich sind. Das ist ein Stück Ausrüstung weniger, das man kaufen, tragen und einrichten kann.Der ZEDi-8 bietet alle Werkzeuge, die Sie benötigen, um Ihren Podcast auf einem professionellen Standard aufzunehmen, und es ist einfach genug für Anfänger, um innerhalb von Minuten mit der Verwendung zu beginnen.Technische Daten:- USB-Audio-Interface mit 2 Anschlüssen (24 Bit/96 kHz)- Cubase LE Software inklusive- Cubasis LE App inklusive- 2 Mic/Line-Eingänge mit separaten XLR- und TRS-Klinkenbuchsen- 2 Stereo-Eingänge mit TRS-Klinkenbuchsen- 2 Gitarren-DI-Eingänge mit hoher Impedanz, wodurch die - Notwendigkeit von DI-Boxen entfällt- Lo-Cut-Filter zur Reinigung unerwünschter niederfrequenter Geräusche- 2-Band-EQ für einfache kreative und korrigierende Tonwertformung- 60mm Fader auf Hauptmischung- XLR-Hauptausgänge- Flexible Signalüberwachung- 8 LED-Signalanzeige48V Phantomspeisung für Kondensatormikrofone- Robustes internes NetzteilAbmessungen (H x B x T): 89 x 249 x 237 mmGewicht: 1,5 kg
The ART MX524 Five Channel Four Zone Mic/Line Mixer is a versatile rack mount mixer that combines Five independent input channels and routes them to four zone outputs. Channels one thru four accept a balanced Line or Mic signal thru the Combo jack connector. CH5 accepts a line level signal through RCA jacks. The unit has an independent selectable +48 Volt phantom power function for channels one thru four. Channels one thru four can also accept unbalanced line-level signals. Each channel has a level control and can be routed to any zone output. Separate level, bass and treble controls adjust the sound of each input channel.The ART MX524 may be used on stage, in the studio, or for permanent install applications including conference rooms, corporate boardrooms, churches, restaurants, small clubs, health clubs and more. A built-in power supply and triple high 19-inch rack mount format allows for easy installation and reliable long-term operation.Key FeaturesFive input channels with individual level controls using XLR/Phono jacks with master level, bass and treble controlsBalanced Mic/Line XLR inputs for channels one thru fourFull +48V low-noise phantom power for channels one thru four mic inputsFront panel 1/8-inch stereo (TRS) mini-phone plug for Headphone monitoringFour sets of Euro Bloc connectors for the Zone outputsTelephone paging functionDc power back upSeparate monitor outputsLED VU meter on all outputsRear mount RCA Line inputs for additional audio inputsRugged 3U rack-mount steel chassis with built-in power supplyPerfect for stage, studio and permanent installationsThree-year warrantySpecificationsFrequency Response 20 Hz – 22kHz ± 2 dBMax. Input Gain: 60dB CH MIC. Input Main out (XLR, balanced)50dB CH MIC. Input & REC. out (unbalanced)60dB CH MIC. Input Mic. out (unbalanced)60dB CH MIC. Input Mono out (unbalanced)THD&N:
The MZ-223 is a built-in mixer for permanent installation in shops, public facilities, restaurants, bars, theme parks or hotels. It is intended to provide three different rooms or zones with background music and announcements from different sources. Any of the seven input channels can be routed to any or all three output zones.The mixer offers five input channels for line-level signals from analog playback sources such as media players, radio receivers or cassette decks. Two channels can be switched to phono to connect turntables. All channels have their own input level controls, clipping LEDs and a fader. Two additional microphone input channels - with level controls, LED meters and 3-band equalization - are available for announcements, speech transmission, karaoke or other applications with dynamic microphones. If these are used for announcements, for example, the volume of the background music can be automatically reduced according to the microphone volume using the integrated talkover function.Each of the sum outputs for the three zones is equipped with a level control, LED level display and 3-band tone control. There is also an independent monitor output for the control room and a headphone output with level control for monitoring selected input channels (pre-fader) and the main outputs.Main features at a glanceBuilt-in mixers with multiple inputs that can be routed to multiple outputsFive stereo input channels for line signals (two switchable to phono) with gain controls, clipping LEDs and fadersTwo additional microphone input channels with level controls, three-band equalization and LED level metersMicrophone and line signals can be output mixedThe talkover function can automatically decrease the volume of background music according to the microphone levelThree zone outputs with level controls, three-band tone control and LED level metersSeparate stereo monitor outputHeadphone output with level control can be used for previewing (before the fader) selected input channels and monitoring the sum outputs19 inch installation housing with two height unitsTechnical specificationsaudio inputsMicrophone inputs 1-2Balanced: XLR-3-31 (1: Ground, 2: Hot (+), 3: Cold (-))Unbalanced: 1/4" phone jack, 3 poles (tip: hot (+), ring: cold (-), sleeve: ground) Input impedance: 33 kO Nominal input level: -65 dBu (VOLUME control at MAX), -30 dBu (VOLUME control at MIN)Line inputs (unbalanced)RCA sockets Nominal input level: -10 dBV Maximum input level: 10 dBV Input impedance: 22 kOaudio outputsSum outputs 1 and 2 (unbalanced)RCA jacks Nominal output level: -10 dBV Maximum output level: 6 dBV Output Impedance: 200 OSum outputs 1 and 2 (balanced)XLR-3-31 (1: Ground, 2: Hot (+), 3: Cold (-)) Nominal output level: 4 dBu Maximum output level: 24 dBu Output Impedance: 200 Omonitor outputsRCA sockets Nominal output level: -16 dBV Maximum output level: 0 dBV Output Impedance: 200 OHeadphone output: 1/4" stereo jack Maximum output power: 50mW + 50mW (at 32 O)Performance data audioFrequency Response: 20Hz - 20kHzDistortion: =0.03%Crosstalk attenuation: 65 dBpower supply and other datapower supplyAC adapter Tascam PS-M1524 (included) Input Voltage: AC 100-240V 50/60Hz Output Voltage: DC 15V Output Current: 2.4APower Consumption: 35WDimensions (W × H × D): 482mm × 88mm × 93mmWeight: 2.5kgPermissible operating temperature range: 5 - 35 °C
THE MIXER THAT CHANGED THE RULESPortable 18 in / 14 out Digital Mixer with remote wireless controlQu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.Our Best-Selling Digital Mixing PlatformInputs: 16 Mono / 1 StereoExpandable to 32 mono / 3 stereoMixes: 4 Mono / 4 Stereo / LRExpandable to 4 Mono / 7 Stereo / LRMatrix: 2 Stereo32x32 USB Audio InterfaceComprehensive Channel Processing and FXRange of Remote ExpandersSuitable for:LiveStudioStreamingA/V InstallCorporate AudioDimensions: 436 x 175 x 162mm
Weight: 4.5kg
€1,529.00*
delivery time 14 days
TOP MARKEN
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